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Photography and its violations /

Theorists critique photography for "objectifying" its subjects and manipulating appearance for the sake of art. In this bold counterargument, John Roberts recasts photography's violating powers and aesthetic technique as part of a complex "social ontology" that exposes the h...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Roberts, John, 1955- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Columbia University Press, [2014]
Colección:Columbia themes in philosophy, social criticism, and the arts.
Temas:
Acceso en línea:Texto completo
Descripción
Sumario:Theorists critique photography for "objectifying" its subjects and manipulating appearance for the sake of art. In this bold counterargument, John Roberts recasts photography's violating powers and aesthetic technique as part of a complex "social ontology" that exposes the hierarchies, divisions, and exclusions behind appearances. Photography must "arrive unannounced" and "get in the way of the world," Roberts argues, committing to the truth-claims of the spectator over the self-interests and sensitivities of the subject
Descripción Física:1 online resource (ix, 218 pages)
Bibliografía:Includes bibliographical references (pages 189-200) and index.
ISBN:9780231538244
0231538243
1322373094
9781322373096