Cargando…
Photography and its violations /
Theorists critique photography for "objectifying" its subjects and manipulating appearance for the sake of art. In this bold counterargument, John Roberts recasts photography's violating powers and aesthetic technique as part of a complex "social ontology" that exposes the h...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Columbia University Press,
[2014]
|
| Colección: | Columbia themes in philosophy, social criticism, and the arts.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | EBSCO_ocn892244504 | ||
| 003 | OCoLC | ||
| 005 | 20231017213018.0 | ||
| 006 | m o d | ||
| 007 | cr cn||||||||| | ||
| 008 | 141004s2014 nyu ob 001 0 eng c | ||
| 040 | |a EBLCP |b eng |e rda |e pn |c EBLCP |d OCLCO |d TEFOD |d CN3GA |d OCLCO |d N$T |d YDXCP |d OCLCF |d TEFOD |d OCLCQ |d OCLCO |d TEFOD |d HUH |d OCLCO |d IDEBK |d OCLCO |d RECBK |d OCLCQ |d ZCU |d MERUC |d OCLCQ |d DEGRU |d CUY |d VTS |d CEF |d INT |d OCLCQ |d STF |d OCLCQ |d REC |d OCLCQ |d AJS |d OCLCO |d OCLCQ |d DGITA |d OCLCO | ||
| 019 | |a 897503896 |a 984546142 |a 1124639506 |a 1264818776 | ||
| 020 | |a 9780231538244 |q (electronic bk.) | ||
| 020 | |a 0231538243 |q (electronic bk.) | ||
| 020 | |a 1322373094 |q (ebk) | ||
| 020 | |a 9781322373096 |q (ebk) | ||
| 024 | 7 | |a 10.7312/robe16818 |2 doi | |
| 029 | 1 | |a AU@ |b 000056020124 | |
| 029 | 1 | |a DEBBG |b BV044070639 | |
| 035 | |a (OCoLC)892244504 |z (OCoLC)897503896 |z (OCoLC)984546142 |z (OCoLC)1124639506 |z (OCoLC)1264818776 | ||
| 037 | |a 8DAA11D1-C9E1-4DA9-8920-0B016D3B8B15 |b OverDrive, Inc. |n http://www.overdrive.com | ||
| 042 | |a pcc | ||
| 050 | 4 | |a TR183 |b .R6324 2014 | |
| 072 | 7 | |a COM |x 087030 |2 bisacsh | |
| 072 | 7 | |a PHO |x 017000 |2 bisacsh | |
| 072 | 7 | |a TEC |x 015000 |2 bisacsh | |
| 072 | 7 | |a PHO |2 ukslc | |
| 082 | 0 | 4 | |a 770.1 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Roberts, John, |d 1955- |e author. | |
| 245 | 1 | 0 | |a Photography and its violations / |c John Roberts. |
| 264 | 1 | |a New York : |b Columbia University Press, |c [2014] | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (ix, 218 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file | ||
| 347 | |b PDF | ||
| 490 | 1 | |a Columbia themes in philosophy, social criticism, and the arts | |
| 520 | |a Theorists critique photography for "objectifying" its subjects and manipulating appearance for the sake of art. In this bold counterargument, John Roberts recasts photography's violating powers and aesthetic technique as part of a complex "social ontology" that exposes the hierarchies, divisions, and exclusions behind appearances. Photography must "arrive unannounced" and "get in the way of the world," Roberts argues, committing to the truth-claims of the spectator over the self-interests and sensitivities of the subject | ||
| 505 | 0 | |a Introduction: The social ontology of photography -- Photography and its truth-event -- The political form of photography today -- "Fragment, experiment, dissonant prologue": modernism, realism, and the photodocument -- Two models of labor: figurality and nonfigurality in recent photography -- Photography after the photograph: event, archive, and the nonsymbolic -- Photography, abstraction, and the social production of space -- Violence, photography, and the inhuman. | |
| 504 | |a Includes bibliographical references (pages 189-200) and index. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a In English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Photography |x Philosophy. | |
| 650 | 0 | |a Photography |x Social aspects. | |
| 650 | 0 | |a Photography |x Influence. | |
| 650 | 6 | |a Photographie |x Philosophie. | |
| 650 | 6 | |a Photographie |x Aspect social. | |
| 650 | 6 | |a Photographie |x Influence. | |
| 650 | 7 | |a COMPUTERS |x Digital Media |x Photography. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Reference. |2 bisacsh | |
| 650 | 7 | |a TECHNOLOGY & ENGINEERING |x Imaging Systems. |2 bisacsh | |
| 650 | 7 | |a Photography |x Influence |2 fast | |
| 650 | 7 | |a Photography |x Philosophy |2 fast | |
| 650 | 7 | |a Photography |x Social aspects |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Roberts, John, 1955- |t Photography and its violations. |d New York : Columbia University Press, ©2014 |z 9780231168182 |w (DLC) 2014009808 |w (OCoLC)874835484 |
| 830 | 0 | |a Columbia themes in philosophy, social criticism, and the arts. | |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=860380 |z Texto completo |
| 938 | |a Digitalia Publishing |b DGIT |n DIGCOLUP1187 | ||
| 938 | |a De Gruyter |b DEGR |n 9780231538244 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL1801727 | ||
| 938 | |a EBSCOhost |b EBSC |n 860380 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis30217189 | ||
| 938 | |a Recorded Books, LLC |b RECE |n rbeEB00662844 | ||
| 938 | |a YBP Library Services |b YANK |n 12097737 | ||
| 994 | |a 92 |b IZTAP | ||