Photography and its violations /

Theorists critique photography for "objectifying" its subjects and manipulating appearance for the sake of art. In this bold counterargument, John Roberts recasts photography's violating powers and aesthetic technique as part of a complex "social ontology" that exposes the h...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Roberts, John, 1955- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Columbia University Press, [2014]
Colección:Columbia themes in philosophy, social criticism, and the arts.
Temas:
Photography > Philosophy.
Photography > Social aspects.
Photography > Influence.
Photographie > Philosophie.
Photographie > Aspect social.
Photographie > Influence.
COMPUTERS > Digital Media > Photography.
PHOTOGRAPHY > Reference.
TECHNOLOGY & ENGINEERING > Imaging Systems.
Photography > Influence
Photography > Philosophy
Photography > Social aspects
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction: The social ontology of photography
  • Photography and its truth-event
  • The political form of photography today
  • "Fragment, experiment, dissonant prologue": modernism, realism, and the photodocument
  • Two models of labor: figurality and nonfigurality in recent photography
  • Photography after the photograph: event, archive, and the nonsymbolic
  • Photography, abstraction, and the social production of space
  • Violence, photography, and the inhuman.

Ejemplares similares