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Nazi Exhibition Design and Modernism /

"While National Socialist exhibitions are seen as platforms for attacking modern art, they also served as sites of surprising formal experimentation among artists, architects, and others, who often drew upon the practices and principles of modernism when designing exhibition spaces. Michael Tym...

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Detalles Bibliográficos
Autor principal: Tymkiw, Michael, 1972- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Minneapolis : University of Minnesota Press, 2018.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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010 |z  2017056759 
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020 |z 9781517900571 
035 |a (OCoLC)1013528745 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Tymkiw, Michael,  |d 1972-  |e author. 
245 1 0 |a Nazi Exhibition Design and Modernism /   |c Michael Tymkiw. 
264 1 |a Minneapolis :  |b University of Minnesota Press,  |c 2018. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2018 
264 4 |c ©2018. 
300 |a 1 online resource (320 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
500 |a Outgrowth of the author's thesis (doctoral--University of Chicago, 2014) under the title: National socialist exhibition design, spectatorship, and the fabrication of Volksgemeinschaft. 
505 0 |a Cover; Half Title; Title; Copyright; Dedication; Contents; Introduction:Experimental Exhibition Design under National Socialism; Part I. Entangled in Debates on Modern Art and Architecture; 1. Falling into Line: Three Early Experiments in Visualizing Collectivity Formation; 2. Reconfiguring Expressionism: Otto Andreas Schreiber and the Mass Production of Factory Exhibitions; Part II. The Persistence of Formal Dialectics; 3. Photomurals after: Pressa; 4. Fragmentation and the: "Jewish- Bolshevist Enemy"; Epilogue: German Exhibition Design after National Socialism; Acknowledgments; Notes. 
505 0 |a IndexA; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Z. 
520 |a "While National Socialist exhibitions are seen as platforms for attacking modern art, they also served as sites of surprising formal experimentation among artists, architects, and others, who often drew upon the practices and principles of modernism when designing exhibition spaces. Michael Tymkiw reveals that a central motivation behind such experimentation was the interest in provoking what he calls "engaged spectatorship.""--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a National socialism and art.  |2 fast  |0 (OCoLC)fst01033786 
650 7 |a Modernism (Aesthetics)  |2 fast  |0 (OCoLC)fst01024439 
650 7 |a Art exhibition audiences.  |2 fast  |0 (OCoLC)fst00815529 
650 7 |a ART  |x Reference.  |2 bisacsh 
650 7 |a ART  |x Performance.  |2 bisacsh 
650 7 |a HISTORY  |z Europe  |x Germany.  |2 bisacsh 
650 7 |a ART  |x History  |x Modern (late 19th Century to 1945)  |2 bisacsh 
650 7 |a ART  |x Art & Politics.  |2 bisacsh 
650 6 |a Modernisme (Esthetique)  |z Allemagne  |x Histoire  |y 20e siecle. 
650 6 |a Nazisme et art. 
650 6 |a Art  |x Expositions  |x Publics  |z Allemagne  |x Histoire  |y 20e siecle. 
650 6 |a Art  |x Techniques d'exposition  |x Aspect social. 
650 0 |a Modernism (Aesthetics)  |z Germany  |x History  |y 20th century. 
650 0 |a National socialism and art. 
650 0 |a Art exhibition audiences  |z Germany  |x History  |y 20th century. 
650 0 |a Art  |x Exhibition techniques  |x Social aspects. 
651 7 |a Germany.  |2 fast  |0 (OCoLC)fst01210272 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/58981/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2018 Complete 
945 |a Project MUSE - 2018 History