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171127s2018 mnu o 00 0 eng d |
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|z 2017056759
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|a 9781452956763
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|z 1452956766
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|z 9781517900571
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|a (OCoLC)1013528745
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|a MdBmJHUP
|c MdBmJHUP
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1 |
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|a Tymkiw, Michael,
|d 1972-
|e author.
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|a Nazi Exhibition Design and Modernism /
|c Michael Tymkiw.
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|a Minneapolis :
|b University of Minnesota Press,
|c 2018.
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264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2018
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|c ©2018.
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300 |
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|a 1 online resource (320 pages).
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Outgrowth of the author's thesis (doctoral--University of Chicago, 2014) under the title: National socialist exhibition design, spectatorship, and the fabrication of Volksgemeinschaft.
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|a Cover; Half Title; Title; Copyright; Dedication; Contents; Introduction:Experimental Exhibition Design under National Socialism; Part I. Entangled in Debates on Modern Art and Architecture; 1. Falling into Line: Three Early Experiments in Visualizing Collectivity Formation; 2. Reconfiguring Expressionism: Otto Andreas Schreiber and the Mass Production of Factory Exhibitions; Part II. The Persistence of Formal Dialectics; 3. Photomurals after: Pressa; 4. Fragmentation and the: "Jewish- Bolshevist Enemy"; Epilogue: German Exhibition Design after National Socialism; Acknowledgments; Notes.
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|a IndexA; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Z.
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520 |
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|a "While National Socialist exhibitions are seen as platforms for attacking modern art, they also served as sites of surprising formal experimentation among artists, architects, and others, who often drew upon the practices and principles of modernism when designing exhibition spaces. Michael Tymkiw reveals that a central motivation behind such experimentation was the interest in provoking what he calls "engaged spectatorship.""--
|c Provided by publisher.
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588 |
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|a Description based on print version record.
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650 |
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7 |
|a National socialism and art.
|2 fast
|0 (OCoLC)fst01033786
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650 |
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7 |
|a Modernism (Aesthetics)
|2 fast
|0 (OCoLC)fst01024439
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650 |
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7 |
|a Art exhibition audiences.
|2 fast
|0 (OCoLC)fst00815529
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650 |
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7 |
|a ART
|x Reference.
|2 bisacsh
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650 |
|
7 |
|a ART
|x Performance.
|2 bisacsh
|
650 |
|
7 |
|a HISTORY
|z Europe
|x Germany.
|2 bisacsh
|
650 |
|
7 |
|a ART
|x History
|x Modern (late 19th Century to 1945)
|2 bisacsh
|
650 |
|
7 |
|a ART
|x Art & Politics.
|2 bisacsh
|
650 |
|
6 |
|a Modernisme (Esthetique)
|z Allemagne
|x Histoire
|y 20e siecle.
|
650 |
|
6 |
|a Nazisme et art.
|
650 |
|
6 |
|a Art
|x Expositions
|x Publics
|z Allemagne
|x Histoire
|y 20e siecle.
|
650 |
|
6 |
|a Art
|x Techniques d'exposition
|x Aspect social.
|
650 |
|
0 |
|a Modernism (Aesthetics)
|z Germany
|x History
|y 20th century.
|
650 |
|
0 |
|a National socialism and art.
|
650 |
|
0 |
|a Art exhibition audiences
|z Germany
|x History
|y 20th century.
|
650 |
|
0 |
|a Art
|x Exhibition techniques
|x Social aspects.
|
651 |
|
7 |
|a Germany.
|2 fast
|0 (OCoLC)fst01210272
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
655 |
|
7 |
|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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|a Book collections on Project MUSE.
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856 |
4 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/58981/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2018 Complete
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945 |
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|a Project MUSE - 2018 History
|