Nazi Exhibition Design and Modernism /

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"While National Socialist exhibitions are seen as platforms for attacking modern art, they also served as sites of surprising formal experimentation among artists, architects, and others, who often drew upon the practices and principles of modernism when designing exhibition spaces. Michael Tym...

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Detalles Bibliográficos
Autor principal: Tymkiw, Michael, 1972- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Minneapolis : University of Minnesota Press, 2018.
Colección:Book collections on Project MUSE.
Temas:
National socialism and art.
Modernism (Aesthetics)
Art exhibition audiences.
ART > Reference.
ART > Performance.
HISTORY > Europe > Germany.
ART > History > Modern (late 19th Century to 1945)
ART > Art & Politics.
Modernisme (Esthetique) > Allemagne > Histoire > 20e siecle.
Nazisme et art.
Art > Expositions > Publics > Allemagne > Histoire > 20e siecle.
Art > Techniques d'exposition > Aspect social.
Modernism (Aesthetics) > Germany > History > 20th century.
Art exhibition audiences > Germany > History > 20th century.
Art > Exhibition techniques > Social aspects.
Germany.
History.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover; Half Title; Title; Copyright; Dedication; Contents; Introduction:Experimental Exhibition Design under National Socialism; Part I. Entangled in Debates on Modern Art and Architecture; 1. Falling into Line: Three Early Experiments in Visualizing Collectivity Formation; 2. Reconfiguring Expressionism: Otto Andreas Schreiber and the Mass Production of Factory Exhibitions; Part II. The Persistence of Formal Dialectics; 3. Photomurals after: Pressa; 4. Fragmentation and the: "Jewish- Bolshevist Enemy"; Epilogue: German Exhibition Design after National Socialism; Acknowledgments; Notes.
  • IndexA; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Z.

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