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Edith Wharton in Context : Essays on Intertextuality /

Tintner provides a detailed analysis of the complex interplay between Wharton and James- how they influenced each other and how some of their writings operate as homages or personal jokes. So deeply was James in Wharton' s confidence, Tintner argues, that he provided her with source models for...

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Detalles Bibliográficos
Autor principal: Tintner, Adeline R., 1912-2003 (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Tuscaloosa : University of Alabama Press, 2015.
Edición:Paperback edition.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Preface; Acknowledgments; Introduction; Part One: Wharton and James; 1. The "Fictioning" of Henry James in Wharton's "The Hermit and the Wild Woman" and "Ogrin the Hermit"; 2. The Give-and-Take between Edith Wharton and Henry James: "The Velvet Glove" and Edith Wharton; 3. The Metamorphoses of Edith Wharton in Henry James's Finer Grain Stories; 4. Jamesian Structures in The Age of Innocence and Related Stories; 5. "Bad" Mothers and Daughters in the Fiction of Wharton and James; 6. Wharton and James: Some Additional Literary Give-and-Take.
  • 7. Henry James's "Julia Bride": A Source for Chapter 9 in Edith Wharton's The Custom of the CountryPart Two: Wharton and Others; 8. Edith Wharton and Paul Bourget: Literary Exchanges; 9. The Portrait of Edith in Bourget's "L'Indicatrice"; 10. Madame de Treymes Corrects Bourget's Un Divorce; 11. Two Novels of the "Relatively Poor": George Gissing's New Grub Street and The House of Mirth; 12. Edith Wharton and F. Marion Crawford; 13. Edith Wharton and Grace Aguilar: Mothers, Daughters, and Incest in the Late Novels of Edith Wharton.
  • 14. Edith Wharton, Ernest Hemingway, and Vivienne de Watteville, Speak to the Earth15. Hugh Walpole's All Souls' Night and Edith Wharton's "All Souls'"; 16. Consuelo Vanderbilt, John Esquemeling, and The Buccaneers; Part Three: Wharton's Uses of Art; 17. False Dawn and the Irony of Taste Changes in Art; 18. Correggio and Rossetti in The Buccaneers: Tradition and Revolution in the Patterns of Love; 19. Tiepolo's Ceiling in the Church of the Scalzi and The Glimpses of the Moon: The Importance of Home; Part Four: Literary Lives of Wharton.
  • 20. A Poet's Version of Edith Wharton: Richard Howard's The Lesson of the Master21. Louis Auchincloss Deconstructs the Biography of Edith Wharton: From Invented Ediths to Her Real Self: Justice to Teddy Wharton in "The Arbiter"; 22. The Punishment of Morton Fullerton in "The 'Fulfillment' of Grace Eliot"; 23. Morton Fullerton's View of the Affair in "They That Have Power to Hurt"; 24. The "Real" Mrs. Wharton in The Education of Oscar Fairfax; 25. Edith Wharton as Herself in Carol DeChellis Hill's Henry James's Midnight Song; 26. Cathleen Schine's The Love Letter.
  • Part Five: The Legacy of Wharton's Fiction: Three Rewritings27. Louis Auchincloss Reinvents Edith Wharton's "After Holbein"; 28. Daniel Magida's The Rules of Seduction and The Age of Innocence; 29. Lev Raphael's The Edith Wharton Murders; Appendix: A Book and Four Friends: Henry James, Walter Berry, Edith Wharton, and W. Morton Fullerton; Index.