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Edith Wharton in Context : Essays on Intertextuality /
Tintner provides a detailed analysis of the complex interplay between Wharton and James- how they influenced each other and how some of their writings operate as homages or personal jokes. So deeply was James in Wharton' s confidence, Tintner argues, that he provided her with source models for...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Tuscaloosa :
University of Alabama Press,
2015.
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| Edición: | Paperback edition. |
| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Tintner, Adeline R., |d 1912-2003, |e author. | |
| 245 | 1 | 0 | |a Edith Wharton in Context : |b Essays on Intertextuality / |c Adeline R. Tintner. |
| 250 | |a Paperback edition. | ||
| 264 | 1 | |a Tuscaloosa : |b University of Alabama Press, |c 2015. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2016 | |
| 264 | 4 | |c ©2015. | |
| 300 | |a 1 online resource (283 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 505 | 0 | |a Preface; Acknowledgments; Introduction; Part One: Wharton and James; 1. The "Fictioning" of Henry James in Wharton's "The Hermit and the Wild Woman" and "Ogrin the Hermit"; 2. The Give-and-Take between Edith Wharton and Henry James: "The Velvet Glove" and Edith Wharton; 3. The Metamorphoses of Edith Wharton in Henry James's Finer Grain Stories; 4. Jamesian Structures in The Age of Innocence and Related Stories; 5. "Bad" Mothers and Daughters in the Fiction of Wharton and James; 6. Wharton and James: Some Additional Literary Give-and-Take. | |
| 505 | 0 | |a 7. Henry James's "Julia Bride": A Source for Chapter 9 in Edith Wharton's The Custom of the CountryPart Two: Wharton and Others; 8. Edith Wharton and Paul Bourget: Literary Exchanges; 9. The Portrait of Edith in Bourget's "L'Indicatrice"; 10. Madame de Treymes Corrects Bourget's Un Divorce; 11. Two Novels of the "Relatively Poor": George Gissing's New Grub Street and The House of Mirth; 12. Edith Wharton and F. Marion Crawford; 13. Edith Wharton and Grace Aguilar: Mothers, Daughters, and Incest in the Late Novels of Edith Wharton. | |
| 505 | 0 | |a 14. Edith Wharton, Ernest Hemingway, and Vivienne de Watteville, Speak to the Earth15. Hugh Walpole's All Souls' Night and Edith Wharton's "All Souls'"; 16. Consuelo Vanderbilt, John Esquemeling, and The Buccaneers; Part Three: Wharton's Uses of Art; 17. False Dawn and the Irony of Taste Changes in Art; 18. Correggio and Rossetti in The Buccaneers: Tradition and Revolution in the Patterns of Love; 19. Tiepolo's Ceiling in the Church of the Scalzi and The Glimpses of the Moon: The Importance of Home; Part Four: Literary Lives of Wharton. | |
| 505 | 0 | |a 20. A Poet's Version of Edith Wharton: Richard Howard's The Lesson of the Master21. Louis Auchincloss Deconstructs the Biography of Edith Wharton: From Invented Ediths to Her Real Self: Justice to Teddy Wharton in "The Arbiter"; 22. The Punishment of Morton Fullerton in "The 'Fulfillment' of Grace Eliot"; 23. Morton Fullerton's View of the Affair in "They That Have Power to Hurt"; 24. The "Real" Mrs. Wharton in The Education of Oscar Fairfax; 25. Edith Wharton as Herself in Carol DeChellis Hill's Henry James's Midnight Song; 26. Cathleen Schine's The Love Letter. | |
| 505 | 0 | |a Part Five: The Legacy of Wharton's Fiction: Three Rewritings27. Louis Auchincloss Reinvents Edith Wharton's "After Holbein"; 28. Daniel Magida's The Rules of Seduction and The Age of Innocence; 29. Lev Raphael's The Edith Wharton Murders; Appendix: A Book and Four Friends: Henry James, Walter Berry, Edith Wharton, and W. Morton Fullerton; Index. | |
| 520 | |a Tintner provides a detailed analysis of the complex interplay between Wharton and James- how they influenced each other and how some of their writings operate as homages or personal jokes. So deeply was James in Wharton' s confidence, Tintner argues, that he provided her with source models for a number of her characters. In addition, Wharton found in his fiction structures for her own, especially for The Age of Innocence. Tintner also brings her considerable knowledge of art history to bear in her study of art allusions in Wharton' s work. Wharton' s response both to the Italian painters activ. | ||
| 588 | |a Description based on print version record. | ||
| 600 | 1 | 7 | |a Wharton, Edith, |d 1862-1937. |2 fast |0 (OCoLC)fst00048127 |
| 600 | 1 | 0 | |a Wharton, Edith, |d 1862-1937 |x Criticism and interpretation. |
| 650 | 7 | |a Women and literature. |2 fast |0 (OCoLC)fst01177093 | |
| 650 | 7 | |a Intertextuality. |2 fast |0 (OCoLC)fst00977562 | |
| 650 | 7 | |a Influence (Literary, artistic, etc.) |2 fast |0 (OCoLC)fst00972484 | |
| 650 | 7 | |a LITERARY CRITICISM |x American |x General. |2 bisacsh | |
| 650 | 6 | |a Intertextualite. | |
| 650 | 6 | |a Influence litteraire, artistique, etc. | |
| 650 | 6 | |a Femmes et litterature |z États-Unis |x Histoire |y 20e siecle. | |
| 650 | 0 | |a Intertextuality. | |
| 650 | 0 | |a Influence (Literary, artistic, etc.) | |
| 650 | 0 | |a Women and literature |z United States |x History |y 20th century. | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/40598/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement IV | ||
| 945 | |a Project MUSE - Archive Literature Supplement IV | ||