Improvising the Score : Rethinking Modern Film Music through Jazz /

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"The first book of its kind, Improvising the Score vividly investigates unique collaborations between contemporary jazz artists and influential film directors, providing a behind-the-scenes look at innovative and integrative jazz-film productions that challenge us to rethink the possibilities o...

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Detalles Bibliográficos
Autor principal: Carlson, Gretchen L. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Jackson : University Press of Mississippi, [2022]
Colección:Book collections on Project MUSE.
Temas:
Motion pictures > Production and direction.
Motion picture music.
Jazz in motion pictures.
Jazz.
Cinema > Production et realisation > Histoire.
Jazz au cinema.
Film, Musique de > Histoire et critique.
Motion pictures > Production and direction > History.
Jazz > History and criticism.
Motion picture music > History and criticism.
History.
Criticism, interpretation, etc.
Electronic books.
Acceso en línea:Texto completo
Descripción
Sumario:"The first book of its kind, Improvising the Score vividly investigates unique collaborations between contemporary jazz artists and influential film directors, providing a behind-the-scenes look at innovative and integrative jazz-film productions that challenge us to rethink the possibilities of movie music. These in-depth case studies include collaborations between Terence Blanchard and Spike Lee (Malcolm X, When the Levees Broke), Dick Hyman and Woody Allen (Hannah and Her Sisters), Antonio Sanchez and Alejandro Gonzalez Iñárritu (Birdman), and Mark Isham and Alan Rudolph (Afterglow). Grounded in fascinating personal interviews, detailed film production analysis, and examinations of jazz artists' "creative labor" in the context of film production expectations, this book illustrates the dynamic possibilities of integrative artistic collaborations between jazz and film, and more broadly, music and media"--
Descripción Física:1 online resource (224 pages): illustrations ;
ISBN:9781496840769

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