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Improvising the Score : Rethinking Modern Film Music through Jazz /

"The first book of its kind, Improvising the Score vividly investigates unique collaborations between contemporary jazz artists and influential film directors, providing a behind-the-scenes look at innovative and integrative jazz-film productions that challenge us to rethink the possibilities o...

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Detalles Bibliográficos
Autor principal: Carlson, Gretchen L. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Jackson : University Press of Mississippi, [2022]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Carlson, Gretchen L.,  |e author. 
245 1 0 |a Improvising the Score :   |b Rethinking Modern Film Music through Jazz /   |c Gretchen L. Carlson. 
264 1 |a Jackson :  |b University Press of Mississippi,  |c [2022] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2022 
264 4 |c ©[2022] 
300 |a 1 online resource (224 pages):   |b illustrations ; 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Introduction. Jazz goes to the movies -- When strangers meet : structures, tensions, and negotiations in jazz/film collaborations -- "Not a lot of people would go for that" : risk and experimentation in the improvised soundtracks of Birdman and Afterglow -- "Honest, true portrayals" : Terence Blanchard, Spike Lee, and the racial politics of jazz scoring -- "A film director's dream" : Dick Hyman plays the personal for Woody Allen -- Conclusion. Miles ahead : a new way of making movie music? 
520 |a "The first book of its kind, Improvising the Score vividly investigates unique collaborations between contemporary jazz artists and influential film directors, providing a behind-the-scenes look at innovative and integrative jazz-film productions that challenge us to rethink the possibilities of movie music. These in-depth case studies include collaborations between Terence Blanchard and Spike Lee (Malcolm X, When the Levees Broke), Dick Hyman and Woody Allen (Hannah and Her Sisters), Antonio Sanchez and Alejandro Gonzalez Iñárritu (Birdman), and Mark Isham and Alan Rudolph (Afterglow). Grounded in fascinating personal interviews, detailed film production analysis, and examinations of jazz artists' "creative labor" in the context of film production expectations, this book illustrates the dynamic possibilities of integrative artistic collaborations between jazz and film, and more broadly, music and media"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Motion pictures  |x Production and direction.  |2 fast  |0 (OCoLC)fst01027357 
650 7 |a Motion picture music.  |2 fast  |0 (OCoLC)fst01027201 
650 7 |a Jazz in motion pictures.  |2 fast  |0 (OCoLC)fst00982204 
650 7 |a Jazz.  |2 fast  |0 (OCoLC)fst00982165 
650 6 |a Cinema  |x Production et realisation  |x Histoire. 
650 6 |a Jazz au cinema. 
650 6 |a Film, Musique de  |x Histoire et critique. 
650 0 |a Motion pictures  |x Production and direction  |x History. 
650 0 |a Jazz in motion pictures. 
650 0 |a Jazz  |x History and criticism. 
650 0 |a Motion picture music  |x History and criticism. 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/101340/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2022 Music 
945 |a Project MUSE - 2022 Complete