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Beyond continuity : script supervision for the modern filmmaker /
"A guide to the craft of script supervising, Beyond Continuity features practical instruction through real-world examples demonstrating and explaining the skills needed by a professional script supervisor. Mary Cybulski, one of Hollywood's premier script supervisors, imparts her sage wisdo...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Burlington, MA :
Focal Press,
2014.
|
| Temas: | |
| Acceso en línea: | Texto completo (Requiere registro previo con correo institucional) |
MARC
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| 100 | 1 | |a Cybulski, Mary. | |
| 245 | 1 | 0 | |a Beyond continuity : |b script supervision for the modern filmmaker / |c by Mary Cybulski. |
| 264 | 1 | |a Burlington, MA : |b Focal Press, |c 2014. | |
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| 520 | |a "A guide to the craft of script supervising, Beyond Continuity features practical instruction through real-world examples demonstrating and explaining the skills needed by a professional script supervisor. Mary Cybulski, one of Hollywood's premier script supervisors, imparts her sage wisdom as she walks you through the process of training and working as a professional script supervisor, covering the basic skills of breaking down a script, taking notes on set, matching, cheating, determining screen direction, and knowing what the director, actors, and editor expect from a script supervisor. She also details many of the more subtle, but just as important skills-- how to get a job, how to think like an editor, how to tell what is important in a script and on set, how to get along with the cast and crew, and how not to get overwhelmed when there is too much information to process"-- |c Provided by publisher | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Introduction / David Mamet -- Introduction : What's so good about being a script supervisor ; What a script supervisor does ; Basic script supervising skills -- Getting started : Building script supervisor skills ; How to get a job ; Meeting the director ; Making your deal ; You have the job -- Preproduction: breaking down the script : Overview ; Defining the scenes ; Page/Time/Scene tally ; Master breakdown ; Time breakdowns ; Special breakdowns -- Preproduction: non-breakdown preproduction : Rehearsals ; Rewrites ; The read through ; Tech scouts ; The production meeting ; Getting physically ready for the shoot ; What's in your kit -- Production overview: keeping the notes : Introduction, three kinds of notes ; Notes used everyday, on every movie ; Notes used on some days or some movies ; On-set matching notes ; Slating ; Setting up your book -- Production overview: maintaining continuity : Why we need continuity ; Two kinds of continuity ; What to match ; Thinking like an editor ; Variations in continuity style ; Cheating, when what's wrong is right -- The language and grammar of filmmaking : How to think about film grammar ; What's in the film grammar toolkit? ; Screen direction, the 180 line ; Maintaining screen direction in motion ; Unusual matching situations ; When actors move the line ; When the camera moves the line ; The power of jumping the line ; Why the 180 line is elusive ; Cutting on camera movement ; Composition ; Three dimensions ; Working with coverage -- A day on set : The call sheet ; Arriving ; Setting up for the day ; Blocking ; Lighting the set ; Rehearsal ; Rolling film ; Slating ; Notating time code ; Timing the take ; First shot of the morning ; Notes for each take ; Circled takes ; Lens information ; Continuity photos ; Drawing set-up frames ; What to look at ; Not matching well ; Delivering off-camera dialog ; Giving notes to actors, directors, crew members ; Moving on to the next set-up ; Moving on to the next scene ; Lunch ; Throughout the day ; Wrap ; The end of the job -- The big picture : Actors are angels ; Pick your projects; follow your leader ; The girl thing. | |
| 504 | |a Includes bibliographical references and index. | ||
| 590 | |a O'Reilly |b O'Reilly Online Learning: Academic/Public Library Edition | ||
| 650 | 0 | |a Motion pictures |x Production and direction. | |
| 650 | 0 | |a Continuity (Motion pictures, television, etc.) | |
| 650 | 6 | |a Cinéma |x Production et réalisation. | |
| 650 | 6 | |a Continuité dialoguée (Cinéma, télévision, etc.) | |
| 650 | 7 | |a continuities. |2 aat | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Continuity (Motion pictures, television, etc.) |2 fast |0 (OCoLC)fst00876752 | |
| 650 | 7 | |a Motion pictures |x Production and direction. |2 fast |0 (OCoLC)fst01027357 | |
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