Beyond continuity : script supervision for the modern filmmaker /
"A guide to the craft of script supervising, Beyond Continuity features practical instruction through real-world examples demonstrating and explaining the skills needed by a professional script supervisor. Mary Cybulski, one of Hollywood's premier script supervisors, imparts her sage wisdo...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Burlington, MA :
Focal Press,
2014.
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Temas: | |
Acceso en línea: | Texto completo (Requiere registro previo con correo institucional) |
Tabla de Contenidos:
- Introduction / David Mamet
- Introduction : What's so good about being a script supervisor ; What a script supervisor does ; Basic script supervising skills
- Getting started : Building script supervisor skills ; How to get a job ; Meeting the director ; Making your deal ; You have the job
- Preproduction: breaking down the script : Overview ; Defining the scenes ; Page/Time/Scene tally ; Master breakdown ; Time breakdowns ; Special breakdowns
- Preproduction: non-breakdown preproduction : Rehearsals ; Rewrites ; The read through ; Tech scouts ; The production meeting ; Getting physically ready for the shoot ; What's in your kit
- Production overview: keeping the notes : Introduction, three kinds of notes ; Notes used everyday, on every movie ; Notes used on some days or some movies ; On-set matching notes ; Slating ; Setting up your book
- Production overview: maintaining continuity : Why we need continuity ; Two kinds of continuity ; What to match ; Thinking like an editor ; Variations in continuity style ; Cheating, when what's wrong is right
- The language and grammar of filmmaking : How to think about film grammar ; What's in the film grammar toolkit? ; Screen direction, the 180 line ; Maintaining screen direction in motion ; Unusual matching situations ; When actors move the line ; When the camera moves the line ; The power of jumping the line ; Why the 180 line is elusive ; Cutting on camera movement ; Composition ; Three dimensions ; Working with coverage
- A day on set : The call sheet ; Arriving ; Setting up for the day ; Blocking ; Lighting the set ; Rehearsal ; Rolling film ; Slating ; Notating time code ; Timing the take ; First shot of the morning ; Notes for each take ; Circled takes ; Lens information ; Continuity photos ; Drawing set-up frames ; What to look at ; Not matching well ; Delivering off-camera dialog ; Giving notes to actors, directors, crew members ; Moving on to the next set-up ; Moving on to the next scene ; Lunch ; Throughout the day ; Wrap ; The end of the job
- The big picture : Actors are angels ; Pick your projects; follow your leader ; The girl thing.