Shashibiya : staging Shakespeare in China /

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Discussing the levels of filtering that any Shakespeare performance in China undergoes, this work examines how these filters reflect the continually changing political, social and cultural practices. The study also traces the history of Shakespeare performance in China over the last century.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Li, Ruru (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Hong Kong : Hong Kong University Press, ©2003.
Temas:
Shakespeare, William, > 1564-1616 > Stage history > China.
Shakespeare, William, > 1564-1616
Literature.
LITERARY CRITICISM > Shakespeare.
DRAMA > Shakespeare.
PERFORMING ARTS > Theater > General.
China
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Shakespeare in China: between his first 'arrival' and the Cultural Revolution
  • Orthodox presentations in Chinese eyes: Much ado about nothing (1957, revival: 1961 & 1979); Macbeth (1980)
  • Rebels against the classics: Hamlet (1989, 1990 & 1994); Othello (1994)
  • The Chinese faces of Shakespeare: blood-stained hands (Xie shou ji)/Macbeth (1986); Looking for trouble (Wushishengfei)/Much ado about nothing (1986); The prince's revenge (Wangzi fuchou ji)/Hamlet (1994)
  • Keeping Shakespeare in the 'original sauce': Twelfth night (Di shi'er ye, 1986); Othello (Aosailuo, 1983, 1986 & 1987)
  • Another dimension in intercultural Shakespeare: an English/Chinese Macbeth (1994); a Taiwan/mainland Shamlet (a parody on Hamlet, 1994)
  • Old man Sha: dead or sleeping?

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