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Shashibiya : staging Shakespeare in China /
Discussing the levels of filtering that any Shakespeare performance in China undergoes, this work examines how these filters reflect the continually changing political, social and cultural practices. The study also traces the history of Shakespeare performance in China over the last century.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hong Kong :
Hong Kong University Press,
©2003.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Li, Ruru, |e author. | |
| 245 | 1 | 0 | |a Shashibiya : |b staging Shakespeare in China / |c Li Ruru. |
| 260 | |a Hong Kong : |b Hong Kong University Press, |c ©2003. | ||
| 300 | |a 1 online resource (xi, 305 pages, 12 unnumbered pages of plates) : |b illustrations, chiefly color | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 285-295) and index. | ||
| 505 | 0 | |a Shakespeare in China: between his first 'arrival' and the Cultural Revolution -- Orthodox presentations in Chinese eyes: Much ado about nothing (1957, revival: 1961 & 1979); Macbeth (1980) -- Rebels against the classics: Hamlet (1989, 1990 & 1994); Othello (1994) -- The Chinese faces of Shakespeare: blood-stained hands (Xie shou ji)/Macbeth (1986); Looking for trouble (Wushishengfei)/Much ado about nothing (1986); The prince's revenge (Wangzi fuchou ji)/Hamlet (1994) -- Keeping Shakespeare in the 'original sauce': Twelfth night (Di shi'er ye, 1986); Othello (Aosailuo, 1983, 1986 & 1987) -- Another dimension in intercultural Shakespeare: an English/Chinese Macbeth (1994); a Taiwan/mainland Shamlet (a parody on Hamlet, 1994) -- Old man Sha: dead or sleeping? | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Discussing the levels of filtering that any Shakespeare performance in China undergoes, this work examines how these filters reflect the continually changing political, social and cultural practices. The study also traces the history of Shakespeare performance in China over the last century. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
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| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Stage history |z China. |
| 600 | 1 | 1 | |a Shakespeare, William, |d 1564-1616 |x Stage history |z China. |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616 |2 fast |
| 650 | 4 | |a Literature. | |
| 650 | 7 | |a LITERARY CRITICISM |x Shakespeare. |2 bisacsh | |
| 650 | 7 | |a DRAMA |x Shakespeare. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x General. |2 bisacsh | |
| 651 | 7 | |a China |2 fast | |
| 773 | 0 | |t HKU Press digital editions. | |
| 776 | 0 | 8 | |i Print version: |a Li, Ruru. |t Shashibiya. |d Hong Kong : Hong Kong University Press, ©2003 |z 9789622096288 |w (OCoLC)52879548 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt2jbzr0 |z Texto completo |
| 880 | 1 | |6 246-00/$1 |i Chinese title also on cover: |a 莎士比亞 | |
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