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Literature in contemporary media culture : technology - subjectivity - aesthetics /
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam ; Philadelphia :
John Benjamins Publishing Company,
[2016]
|
| Colección: | FILLM studies in languages and literatures ;
2. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Literature in Contemporary Media Culture
- Editorial page
- Title page
- LCC data
- Table of contents
- Series editor's preface
- Acknowledgements
- List of contributors
- Introduction: Technology
- Subjectivity
- Aesthetics: Three Perspectives on Contemporary Media Cultu
- The concepts: Media, media culture, and literature
- Technology
- Subjectivity
- Aesthetics
- Literature in Contemporary Media Culture: Technology
- Subjectivity
- Aesthetics
- References
- Part I. Technology
- 1. From acoustic trace to information materialized: Archival poetics in Kenneth Goldsmith's Soliloqu
- How to read an archival poem
- Materialities and mechanisms
- Soliloquy and serial remediation
- Techniques of the self and the archival lyric
- Archival poetics and the aesthetics of access
- References
- 2. Reading animated poetry between pragmapeia and prosopopeia
- What is animated poetry?
- Viva Zombatista
- The reading strategies of pragmapeia and prosopopeia
- The semiotic devices of pragmapeia and prosopopeia
- Whose brain?
- Do zombies dream of electric brains?
- References
- 3. Words with cybernetic senses: Questions of multimodality, programming and liveness in digital poe
- Digital poetry and multimodal analysis
- Cybernetic senses and secret programming
- Temporality and animism
- Is it (a)live?
- References
- 4. Media ecology in the literal sense: Mark Z. Danielewski's House of Leaves
- Thresholds and vestibules
- The front matters
- The narratives
- The end matters
- The house and the labyrinth
- The echo
- Media matters
- The epitext
- Conclusion
- References
- Part II. Subjectivity
- 5. Roman and the mediality of biographical writing
- Book + computer: Roman's technological apparatus
- Art as technique: Roman's idea of art.
- Media-cultural subjectivity: Roman's contribution to the formation of a specific sensible milieu
- The case of Beck-Nielsen
- The case of Knausgård
- Conclusion
- References
- 6. Mediatization, self and literature: Fictionality as a means of self-fashioning in Bret Easton Ell
- Mediatization, the notion of the self, and autobiographical literature
- Autonomy and fiction
- Bret Easton Ellis
- Nielsen and Das Beckwerk
- Conclusion
- References
- 7. The literary magazine and the making of a writer: Gunnhild Ã#x98;yehaug in the Space of Possibles
- The structure of the field and the importance of mastering its history
- The writer's intellectual track
- The art of appearing
- The periphery as the new center
- McSweeney's #35: The Norwegian issue
- Contemporary literature and canon formation
- References
- Part III. Aesthetics
- 8. Staging the present: Performativity and performance in Carl Frode Tiller's Encircling
- Encircling the theme of identity
- Performing identity and performative art
- Life art: Happenings as border-crossing
- Performance in and of the present
- The play-within-the-play, performativity and performance
- References
- 9. Refigurations of Walden: Notes on contagious mediation
- I. Introduction: Influence and connectivity beyond adaptation and intertextuality
- II. Jonas Mekas: Walden as a practice of mediation
- III. Allegories of mediation
- IV. Upstream Color and the "Thoreau poison"
- References
- 10. Transaesthetic temporalities: Ekphrasis and the poetics of deceleration
- Introduction: Levinas and the immobility of the artwork
- Ekphrasis and the intermedial
- A poetics of deceleration
- Still Life With Oysters and Lemon
- Point Omega
- References
- 11. Showing seeing across media: The contemporary novel as visual event
- Spectatorship and the visual event
- The pictorial arts and the gaze.
- Cinema and the gaze
- Beyond the gaze
- References
- Index.