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EBSCO_ocn936118068 |
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20231017213018.0 |
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151030s2016 ne ob 001 0 eng |
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|a 2019716991
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|a 1259262283
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|a 9789027267542
|q e-book
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|z 9789027201294
|q hardcover : alk. paper
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|z 9027201293
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|a GBVCP
|b 871759160
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|a (OCoLC)936118068
|z (OCoLC)1259262283
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|a P96.L5
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|a 302.23
|2 23
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|a UAMI
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245 |
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|a Literature in contemporary media culture :
|b technology - subjectivity - aesthetics /
|c edited by Sarah J. Paulson, Anders, Norwegian University of Science and Technology, Skare Malvik, Norwegian University of Science and Technology.
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264 |
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|a Amsterdam ;
|a Philadelphia :
|b John Benjamins Publishing Company,
|c [2016]
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300 |
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|a 1 online resource
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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490 |
1 |
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|a FILLM studies in languages and literatures ;
|v 2
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504 |
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|a Includes bibliographical references and index.
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588 |
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|a Description based on ebook.
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|a Literature in Contemporary Media Culture -- Editorial page -- Title page -- LCC data -- Table of contents -- Series editor's preface -- Acknowledgements -- List of contributors -- Introduction: Technology -- Subjectivity -- Aesthetics: Three Perspectives on Contemporary Media Cultu -- The concepts: Media, media culture, and literature -- Technology -- Subjectivity -- Aesthetics -- Literature in Contemporary Media Culture: Technology -- Subjectivity -- Aesthetics -- References -- Part I. Technology -- 1. From acoustic trace to information materialized: Archival poetics in Kenneth Goldsmith's Soliloqu -- How to read an archival poem -- Materialities and mechanisms -- Soliloquy and serial remediation -- Techniques of the self and the archival lyric -- Archival poetics and the aesthetics of access -- References -- 2. Reading animated poetry between pragmapeia and prosopopeia -- What is animated poetry? -- Viva Zombatista -- The reading strategies of pragmapeia and prosopopeia -- The semiotic devices of pragmapeia and prosopopeia -- Whose brain? -- Do zombies dream of electric brains? -- References -- 3. Words with cybernetic senses: Questions of multimodality, programming and liveness in digital poe -- Digital poetry and multimodal analysis -- Cybernetic senses and secret programming -- Temporality and animism -- Is it (a)live? -- References -- 4. Media ecology in the literal sense: Mark Z. Danielewski's House of Leaves -- Thresholds and vestibules -- The front matters -- The narratives -- The end matters -- The house and the labyrinth -- The echo -- Media matters -- The epitext -- Conclusion -- References -- Part II. Subjectivity -- 5. Roman and the mediality of biographical writing -- Book + computer: Roman's technological apparatus -- Art as technique: Roman's idea of art.
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|a Media-cultural subjectivity: Roman's contribution to the formation of a specific sensible milieu -- The case of Beck-Nielsen -- The case of KnausgÃ¥rd -- Conclusion -- References -- 6. Mediatization, self and literature: Fictionality as a means of self-fashioning in Bret Easton Ell -- Mediatization, the notion of the self, and autobiographical literature -- Autonomy and fiction -- Bret Easton Ellis -- Nielsen and Das Beckwerk -- Conclusion -- References -- 7. The literary magazine and the making of a writer: Gunnhild Ã#x98;yehaug in the Space of Possibles -- The structure of the field and the importance of mastering its history -- The writer's intellectual track -- The art of appearing -- The periphery as the new center -- McSweeney's #35: The Norwegian issue -- Contemporary literature and canon formation -- References -- Part III. Aesthetics -- 8. Staging the present: Performativity and performance in Carl Frode Tiller's Encircling -- Encircling the theme of identity -- Performing identity and performative art -- Life art: Happenings as border-crossing -- Performance in and of the present -- The play-within-the-play, performativity and performance -- References -- 9. Refigurations of Walden: Notes on contagious mediation -- I. Introduction: Influence and connectivity beyond adaptation and intertextuality -- II. Jonas Mekas: Walden as a practice of mediation -- III. Allegories of mediation -- IV. Upstream Color and the "Thoreau poison" -- References -- 10. Transaesthetic temporalities: Ekphrasis and the poetics of deceleration -- Introduction: Levinas and the immobility of the artwork -- Ekphrasis and the intermedial -- A poetics of deceleration -- Still Life With Oysters and Lemon -- Point Omega -- References -- 11. Showing seeing across media: The contemporary novel as visual event -- Spectatorship and the visual event -- The pictorial arts and the gaze.
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|a Cinema and the gaze -- Beyond the gaze -- References -- Index.
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546 |
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|a English.
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
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0 |
|a Mass media and literature.
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650 |
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0 |
|a Literature, Modern
|x History and criticism.
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650 |
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0 |
|a Digital media.
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650 |
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0 |
|a Popular culture.
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650 |
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0 |
|a Literature
|x Aesthetics.
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650 |
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2 |
|a Popular Culture
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650 |
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6 |
|a Médias et littérature.
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650 |
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6 |
|a Médias numériques.
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650 |
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6 |
|a Culture populaire.
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650 |
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6 |
|a Littérature
|x Esthétique.
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650 |
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7 |
|a popular culture.
|2 aat
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650 |
|
7 |
|a PSYCHOLOGY
|x Social Psychology.
|2 bisacsh
|
650 |
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7 |
|a Digital media
|2 fast
|
650 |
|
7 |
|a Literature
|x Aesthetics
|2 fast
|
650 |
|
7 |
|a Literature, Modern
|2 fast
|
650 |
|
7 |
|a Mass media and literature
|2 fast
|
650 |
|
7 |
|a Popular culture
|2 fast
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655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
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700 |
1 |
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|a Paulson, Sarah J.,
|e editor.
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700 |
1 |
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|a Malvik, Anders Skare,
|e editor.
|
776 |
0 |
8 |
|i Print version:
|t Literature in contemporary media culture
|d Amsterdam ; Philadelphia : John Benjamins Publishing Company, [2016]
|z 9789027201294 (hardcover : alk. paper)
|w (DLC) 2015040031
|
830 |
|
0 |
|a FILLM studies in languages and literatures ;
|v 2.
|
856 |
4 |
0 |
|u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1160138
|z Texto completo
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