Kierkegaard and the Staging of Desire : Rhetoric and Performance in a Theology of Eros /

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Theology in the modern era often assumes that the consummate form of theological discourse is objective prose - ignoring or condemning apophatic traditions and the spiritual eros that drives them. For too long, Kierkegaard has been read along these lines as a progenitor of twentieth-century neo-orth...

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Détails bibliographiques
Auteur principal: Hughes, Carl S. (Auteur)
Format: Électronique eBook
Langue:Inglés
Publié: New York : Fordham University Press, 2014.
Collection:Book collections on Project MUSE.
Sujets:
Kierkegaard, Soren, > 1813-1855.
Theology.
Theater > Religious aspects > Christianity.
Desire > Religious aspects > Christianity.
Performance > Religious aspects > Christianity.
PERFORMING ARTS > General.
RELIGION > Christianity > General.
RELIGION > Christian Theology > Systematic.
Desir > Aspect religieux > Christianisme.
Rendement au travail > Aspect religieux > Christianisme.
Theologie > Histoire > 19e siecle.
Theology > History > 19th century.
History.
Electronic books.
Accès en ligne:Texto completo
Description
Résumé:Theology in the modern era often assumes that the consummate form of theological discourse is objective prose - ignoring or condemning apophatic traditions and the spiritual eros that drives them. For too long, Kierkegaard has been read along these lines as a progenitor of twentieth-century neo-orthodoxy and a stern critic of the erotic in all its forms. In contrast, Hughes argues that Kierkegaard envisions faith fundamentally as a form of infinite, insatiable eros.
Description matérielle:1 online resource (272 pages).
ISBN:9780823257287

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