Avant-Garde Fascism : The Mobilization of Myth, Art, and Culture in France, 1909-1939 /

Afficher d'autres versions (1)

An investigation of the central role that theories of the visual arts and creativity played in the development of fascism in France between 1909 and 1939.

Détails bibliographiques
Auteur principal: Antliff, Mark, 1957-
Format: Électronique eBook
Langue:Inglés
Publié: Durham : Duke University Press, 2007.
Collection:Book collections on Project MUSE.
Sujets:
Sorel, Georges, > 1847-1922.
Fascism and culture.
Fascism and art.
Fascism.
Civilization.
Avant-garde (Aesthetics)
ART > History > Modern (late 19th Century to 1945)
ART > Reference.
ART > Performance.
Fascisme > France > Histoire > 20e siecle.
Fascisme et culture > France > Histoire > 20e siecle.
Fascisme et art > France > Histoire > 20e siecle.
Fascism > France > History > 20th century.
Fascism and culture > France > History > 20th century.
Fascism and art > France > History > 20th century.
Avant-garde (Aesthetics) > France > History > 20th century.
France.
France > Civilisation > 20e siecle.
France > Civilization > 20th century.
History.
Electronic books.
Accès en ligne:Texto completo
Table des matières:
  • Fascism, modernism and modernity
  • The Jew as anti-artist : Georges Sorel and the aesthetics of the anti- Enlightenment
  • La Cite française : Georges Valois, Le Corbusier and fascist theories of urbanism
  • Machine primitives : Philippe Lamour and the fascist cult of youth
  • Classical violence : Thierry Maulnier and the legacy of the Cercle Proudhon.

Documents similaires