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New Francophone African and Caribbean Theatres /
| Call Number: | Libro Electrónico |
|---|---|
| Main Author: | |
| Other Authors: | |
| Format: | Electronic eBook |
| Language: | Inglés |
| Published: |
Bloomington :
Indiana University Press,
2010.
|
| Series: | African expressive cultures.
Book collections on Project MUSE. |
| Subjects: | |
| Online Access: | Texto completo |
Table of Contents:
- Introduction : instrumentalizing performance and the Francophone postcolonial performative
- Cultural trauma and ritual re-membering : Werewere Liking's Les mains veulent dire
- The dramatist as epic performer : Eugene Dervain's Saran, ou la reine scelerate
- The power and the pleasures of dramatized narrative : Bernard Zadi Zaourou's La guerre des femmes
- Theatre as writing and voice : Patrick Chamoiseau's Manman dlo contre la fee carabosse
- Tradition instrumentalized : Elie Stephenson's O mayouri
- Militariat grotesqueries and tragic lament : Tchicaya u Tam'si's Le destin glorieux du marechal nnikon nniku, prince qu'on sort and le bal de ndinga
- From the grotesque to the fantastic : Sony Labou Tansi's Qui a mange Madame d'Avoine Bergotha?
- Exile and the failure of the nation; or, diasporic subjectivity from below : Simone Schwarz-Bart's Ton beau capitaine
- Conclusion : Francophone theatres in the age of globalization.