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The Autonomous Image : Cinematic Narration and Humanism /
Blowup, says Armando Prats, is one of the necessary movies. It is a ""living expression of the transition into the new narrative domains"" in terms of man's ""new vision of himself as a narrative creature in a world whose very essense is cinematic narration."&...
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| Format: | Électronique eBook |
| Langue: | Inglés |
| Publié: |
Lexington, Ky. :
University Press of Kentucky,
1981.
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| Collection: | Book collections on Project MUSE.
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| Sujets: | |
| Accès en ligne: | Texto completo |
| Résumé: | Blowup, says Armando Prats, is one of the necessary movies. It is a ""living expression of the transition into the new narrative domains"" in terms of man's ""new vision of himself as a narrative creature in a world whose very essense is cinematic narration."" Prats' work on the new humanism inherent in postwar filmmaking is a rewarding work with implications for the fields of esthetics and axiology as well as film criticism. In his analyses of four films by three directors -- Fellini's Director's Notebook and The Clowns, Wertmiller's Seven Beauties, Antonioni's Blowup -- Prats shows the |
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| Description matérielle: | 1 online resource (192 pages). |
| ISBN: | 9780813149349 |