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The Philosophy of Michael Mann /
Known for restoring vitality and superior craftsmanship to the crime thriller, American filmmaker Michael Mann has long been regarded as a talented triple threat capable of moving effortlessly between television and feature films as a writer, director, and executive producer. His unique visual sense...
| Other Authors: | , , |
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| Format: | Electronic eBook |
| Language: | Inglés |
| Published: |
Lexington, Ky. :
University Press of Kentucky,
[2014]
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| Series: | Book collections on Project MUSE.
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| Subjects: | |
| Online Access: | Texto completo |
Table of Contents:
- An introduction to the philosophy of Michael Mann / Steven Sanders
- Michael Mann and nonplace: a Nietzschean element in Mann's modern crime films / Robert Arnett
- "Awakened to chaos": outsiders in The jericho mile and Thief / R. Barton Palmer
- Existential Mann / Steven Sanders
- "Do you see?": Reflecting on evil in Manhunter / Aeon J. Skoble
- Mann and Übermensch: evil and power in Manhunter / David Sterritt
- "Blood in the moonlight": toward an aesthetics of horror in The keep and Manhunter / Ivo Ritzer
- Style, meaning, and myth in Public enemies / Steven Rybin
- Interiorization in public enemies / Murray Pomerance
- Mannerism: neoclassical style in the films of Michael Mann / Tom Paulus and Vito Adriaensens
- The ethics of contracts, conscience, and courage in The insider / David LaRocca
- The commodification of justice: Michael Mann and postmodern law / Mark Wildermuth
- Subjectivity and the ethics of duty in Michael Mann's cinema / Aga Skrodzka
- Natural man, natural rights, and eros: conflicting visions of nature, society, and love in The last of the Mohicans / Alan Woolfolk
- Emotion, truth, and space in Heat / Jonah Corne
- Mann's biopics and the methodology of philosophy: Ali and The insider / David Rodríguez-Ruiz.