Borrowed forms : the music and ethics of transnational fiction /

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A pioneering, interdisciplinary study of how transnational novelists and critics use music as a critical device to structure narrative and to model ethical relations.

Bibliographic Details
Call Number:Libro Electrónico
Main Author: Lachman, Kathryn (Author)
Format: Electronic eBook
Language:Inglés
Published: Liverpool : Liverpool University Press, 2014.
Subjects:
1900-1999
Fiction > 20th century > History and criticism > Theory, etc.
Music and literature > History > 20th century.
Literature and transnationalism.
Music and transnationalism.
Roman > 20e siècle > Histoire et critique > Théorie, etc.
Musique et littérature > Histoire > 20e siècle.
Littérature et transnationalisme.
Musique et transnationalisme.
Literary studies: post-colonial literature.
BIOGRAPHY & AUTOBIOGRAPHY > Literary.
Literature and transnationalism
Music and literature
Music and transnationalism
Roman
Transnationalisierung
Erzähltechnik
Musik
Music
History
Criticism, interpretation, etc.
Online Access:Texto completo
Table of Contents:
  • From Mikhail Bakhit to Maryse Condé : the problems of literary polyphony
  • Edward Said and Assia Djebar : Counterpoint and the practice of comparative literature
  • Glenn Gould and the birth of the author : variation and performance in Nancy Huston's Les variations Goldberg
  • Opera and the limits of representation in J.M. Coetzee's Disgrace.

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