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Whose culture? : the promise of museums and the debate over antiquities /
The international controversy over who “owns” antiquities has pitted museums against archaeologists and source countries where ancient artifacts are found. In his book Who Owns Antiquity?, James Cuno argued that antiquities are the cultural property of humankind, not of the countries that lay exclus...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton :
Princeton University Press,
2012.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Whose culture? : |b the promise of museums and the debate over antiquities / |c edited by James Cuno. |
| 260 | |a Princeton : |b Princeton University Press, |c 2012. | ||
| 300 | |a 1 online resource (xii, 220 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover; Whose Culture?; Title; Copyright; Contents; Acknowledgments; Introduction; PART ONE The Value of Museums; To Shape the Citizens of "That Great City, the World"; "And What Do You Propose Should Be Done with Those Objects?"; Whose Culture Is It?; PART TWO The Value of Antiquities; Antiquities and the Importance--and Limitations--of Archaeological Contexts; Archaeologists, Collectors, and Museums; Censoring Knowledge: The Case for the Publication of Unprovenanced Cuneiform Tablets; PART THREE Museums, Antiquities, and Cultural Property. | |
| 505 | 8 | |a Exhibiting Indigenous Heritage in the Age of Cultural PropertyHeritage and National Treasures; The Nation and the Object; Select Bibliography; Contributors; Index. | |
| 520 | |a The international controversy over who “owns” antiquities has pitted museums against archaeologists and source countries where ancient artifacts are found. In his book Who Owns Antiquity?, James Cuno argued that antiquities are the cultural property of humankind, not of the countries that lay exclusive claim to them. Now in Whose Culture?, Cuno assembles preeminent museum directors, curators, and scholars to explain for themselves what’s at stake in this struggle — and why the museums’ critics couldn’t be more wrong. Source countries and archaeologists favor tough cultural property laws restricting the export of antiquities, have fought for the return of artifacts from museums worldwide, and claim the acquisition of undocumented antiquities encourages looting of archaeological sites. In Whose Culture?, leading figures from universities and museums in the United States and Britain argue that modern nation-states have at best a dubious connection with the ancient cultures they claim to represent, and that archaeology has been misused by nationalistic identity politics. They explain why exhibition is essential to responsible acquisitions, why our shared art heritage trumps nationalist agendas, why restrictive cultural property laws put antiquities at risk from unstable governments — and more. Defending the principles of art as the legacy of all humankind and museums as instruments of inquiry and tolerance, Whose Culture? brings reasoned argument to an issue that for too long has been distorted by politics and emotionalism. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Antiquities |x Collection and preservation |x Moral and ethical aspects. | |
| 650 | 0 | |a Antiquities |x Collection and preservation |x Social aspects. | |
| 650 | 0 | |a Cultural property |x Protection. | |
| 650 | 0 | |a Cultural property |x Repatriation. | |
| 650 | 0 | |a Excavations (Archaeology) |x Moral and ethical aspects. | |
| 650 | 0 | |a Museum exhibits |x Moral and ethical aspects. | |
| 650 | 0 | |a Museums |x Acquisitions |x Moral and ethical aspects. | |
| 650 | 0 | |a Museums |x Philosophy. | |
| 650 | 6 | |a Antiquités |x Collections et conservation |x Aspect moral. | |
| 650 | 6 | |a Antiquités |x Collections et conservation |x Aspect social. | |
| 650 | 6 | |a Patrimoine culturel |x Restitution. | |
| 650 | 6 | |a Fouilles (Archéologie) |x Aspect moral. | |
| 650 | 6 | |a Objets exposés |x Aspect moral. | |
| 650 | 6 | |a Musées |x Acquisitions |x Aspect moral. | |
| 650 | 6 | |a Musées |x Philosophie. | |
| 650 | 7 | |a BUSINESS & ECONOMICS |x Museum Administration & Museology. |2 bisacsh | |
| 650 | 7 | |a REFERENCE |x General. |2 bisacsh | |
| 650 | 7 | |a TRAVEL |x Museums, Tours, Points of Interest. |2 bisacsh | |
| 650 | 7 | |a ART |x Art & Politics. |2 bisacsh | |
| 650 | 7 | |a Antiquities |x Collection and preservation |x Moral and ethical aspects. |2 fast |0 (OCoLC)fst00810750 | |
| 650 | 7 | |a Cultural property |x Protection. |2 fast |0 (OCoLC)fst00885019 | |
| 650 | 7 | |a Cultural property |x Repatriation. |2 fast |0 (OCoLC)fst00885046 | |
| 650 | 7 | |a Museum exhibits |x Moral and ethical aspects. |2 fast |0 (OCoLC)fst01030087 | |
| 650 | 7 | |a Museums |x Philosophy. |2 fast |0 (OCoLC)fst01030191 | |
| 655 | 4 | |a Electronic books. | |
| 700 | 1 | |a Cuno, James B., |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Whose culture?. |d Princeton : Princeton University Press, 2012 |w (DLC) 2008024834 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt7pgrk |z Texto completo |
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