Competing discourses : orthodoxy, authenticity, and engendered meanings in late Imperial Chinese fiction /

Afficher d'autres versions (1)
Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Epstein, Maram (Auteur)
Format: Électronique eBook
Langue:Inglés
Publié: Cambridge, Mass. : Published by Harvard University Asia Center : Distributed by Harvard University Press, 2001.
Collection:Harvard East Asian monographs ; 197.
Sujets:
1368-1912
Chinese fiction > Ming dynasty, 1368-1644 > History and criticism.
Chinese fiction > Qing dynasty, 1644-1912 > History and criticism.
Women in literature.
Roman chinois > 1368-1644 (Dynastie des Ming) > Histoire et critique.
Roman chinois > 1644-1912 (Dynastie des Qing) > Histoire et critique.
Femmes dans la littérature.
PHILOSOPHY > Aesthetics.
Chinese fiction.
Chinese fiction > Ming dynasty.
Qing Dynasty (China)
Roman chinois > 1644-1912 (Dynastie Mandchoue) > Histoire et critique.
Femmes > Dans la littérature.
Rôle selon le sexe > Chine.
femme > image > litterature chinoise > 14e s. (fin) > 20e s. (debut)
roman chinois > epoque Ming > epoque Qing.
femme > image.
Criticism, interpretation, etc.
Accès en ligne:Texto completo
Table des matières:
  • 1. The Narrative Structures of Orthodoxy
  • 2. The Late Ming Reinterpretation of Human Nature and the Gendering of Desire
  • 3. Xingshi yinyuan zhuan: Orthodoxy and the Making of the Shrew
  • 4. Reflections of Desire in Honglou meng
  • 5. Expanding Orthodoxy: Narrative Excess and Expedient Authenticity in Yesou puyan
  • 6. Heroic Women and Deficient Men in Jinghua Yuan and Ernu yingxiong zhuan
  • 7. Conclusion: From the Symbolic to the Political.

Documents similaires