E.T.A. Hoffmann and the Serapiontic principle : critique and creativity /

Critics have long sought to elucidate the multilayered texts of E.T.A. Hoffmann by applying to them a particular set of theories and ideas that Hoffmann himself subsumed under the heading of the 'Serapiontic Principle.' This principle, which Hoffmann expounded in his collection of tales &#...

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Brown, H. M. (Hilda Meldrum)
Format: Électronique eBook
Langue:Inglés
Publié: Rochester, NY : Camden House, 2006.
Collection:Studies in German literature, linguistics, and culture.
Sujets:
Hoffmann, E. T. A. > (Ernst Theodor Amadeus), > 1776-1822. > Serapions-Brüder.
Hoffmann, E. T. A. > (Ernst Theodor Amadeus), > 1776-1822 > Technique.
Hoffmann, E. T. A. > (Ernst Theodor Amadeus), > 1776-1822.
Serapions-Brüder (Hoffmann, E.T.A.)
Frame-stories > History and criticism.
Récits enchâssés > Histoire et critique.
LITERARY CRITICISM > European > German.
Frame-stories.
Technique.
Criticism, interpretation, etc.
Accès en ligne:Texto completo
Table des matières:
  • Approaches to the Serapiontic principle
  • Overture: Jacques Callot
  • Der Einsiedler Serapion: the formulation of a principle
  • Der Dichter und der Komponist: text and music
  • Alte und neue Kirchenmusik
  • Prinzessin Brambilla: Callot revisited
  • Epilogue: Des Vetters Eckfenster
  • Frame narrative and the Serapiontic principle
  • From visual to verbal: three Serapiontic tales
  • The "Nachtseite der Natur" and the Serapiontic principle
  • The Märchen and the Serapiontic principle
  • The Serapiontic principle: the wider critique.

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