Marlowe, Shakespeare, and the economy of theatrical experience /

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This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe.

Bibliographic Details
Call Number:Libro Electrónico
Main Author: Cartelli, Thomas
Format: Electronic eBook
Language:Inglés
Published: Philadelphia : University of Pennsylvania Press, ©1991.
Subjects:
Marlowe, Christopher, > 1564-1593 > Criticism and interpretation.
Shakespeare, William, > 1564-1616 > Criticism and interpretation.
Marlowe, Christopher, > 1564-1593
Shakespeare, William, > 1564-1616
1500-1600
English drama > Early modern and Elizabethan, 1500-1600 > History and criticism.
Theater audiences > England > History > 16th century.
Théâtre anglais > 16e siècle > Histoire et critique.
Théâtre > Publics > Angleterre > Histoire > 16e siècle.
PERFORMING ARTS > Theater > General.
LITERARY CRITICISM > Shakespeare.
English drama > Early modern and Elizabethan
Theater audiences
Publikum
Theater
Drama
Toneel.
Publiek.
Geschichte (1550-1620)
England
Englisch.
Electronic books.
Criticism, interpretation, etc.
History
Online Access:Texto completo
Table of Contents:
  • Frontmatter
  • Contents
  • Acknowledgments
  • A Note on Texts
  • Prefatory Note
  • Introduction: Marlowe and/or Shakespeare
  • 1. The Terms of Engagement
  • 2. The Audience in Theory and Practice
  • 3. The Tamburlaine Phenomenon
  • 4. Banquo's Ghost
  • 5. King Edward's Body
  • 6. Radical Shakespeare
  • 7. Machiavel′s Ghost
  • 8. The Unaccommodating Text
  • Conclusion: The Imaginary Audience
  • Notes
  • Works Cited
  • Index
  • Backmatter

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