Cargando…

Cinematic Corpographies : Re-Mapping the War Film Through the Body /

Writing on the relationship between war and cinema has largely been dominated by an emphasis on optics and weaponised vision. However, as this analysis of the Hollywood war film will show, a wider sensory field is powerfully evoked in this genre. Contouring war cinema as representing a somatic exper...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Rositzka, Eileen (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berlin ; Boston : De Gruyter, [2018]
Colección:Cinepoetics ; v. 3.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a2200000Mi 4500
001 EBSCO_on1037979554
003 OCoLC
005 20231017213018.0
006 m o d
007 cr |||||||||||
008 180522s2018 gw fod z000 0 eng d
040 |a DEGRU  |b eng  |e rda  |e pn  |c DEGRU  |d EBLCP  |d YDX  |d DEGRU  |d UBY  |d UKAHL  |d OCLCQ  |d N$T  |d K6U  |d OCLCQ  |d S2H  |d OCLCO  |d OCLCQ  |d SFB 
019 |a 1038481524  |a 1039074501  |a 1057345329 
020 |a 9783110580808 
020 |a 3110580802 
020 |a 9783110579710 
020 |a 3110579715 
020 |z 3110579634 
020 |z 9783110579635 
020 |a 9783110580815  |q (electronic bk.) 
020 |a 3110580810  |q (electronic bk.) 
024 7 |a 10.1515/9783110580808  |2 doi 
029 1 |a AU@  |b 000065402261 
035 |a (OCoLC)1037979554  |z (OCoLC)1038481524  |z (OCoLC)1039074501  |z (OCoLC)1057345329 
050 4 |a PN1995.9.W3  |b R675 2018 
072 7 |a ART057000  |2 bisacsh 
072 7 |a SOC000000  |2 bisacsh 
072 7 |a SOC052000  |2 bisacsh 
082 0 4 |a 791.43/6581  |2 23 
049 |a UAMI 
100 1 |a Rositzka, Eileen,  |e author. 
245 1 0 |a Cinematic Corpographies :  |b Re-Mapping the War Film Through the Body /  |c Eileen Rositzka. 
264 1 |a Berlin ;  |a Boston :  |b De Gruyter,  |c [2018] 
264 4 |c ©2018 
300 |a 1 online resource (210 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file  |b PDF  |2 rda 
490 1 |a Cinepoetics ;  |v Volume 3 
505 0 0 |t Frontmatter --  |t Acknowledgments --  |t Contents --  |t 1. Introduction --  |t 2. Measuring the Trenches: Corpographies of the First World War --  |t 3. From Above and From Within: Aerial Views and Corpographic Transformations in the WWII Combat Film --  |t 4. Dismembering War: Touch and Fragmentation in Anthony Mann's Men in War --  |t 5. Uncharting Territories: The Vietnam War's Shattering of the Senses --  |t 6. Zero Dark Thirty: Corpographies of the War on Terror --  |t 7. Conclusion --  |t Bibliography --  |t Filmography --  |t Subject index --  |t Name index --  |t Film index 
520 |a Writing on the relationship between war and cinema has largely been dominated by an emphasis on optics and weaponised vision. However, as this analysis of the Hollywood war film will show, a wider sensory field is powerfully evoked in this genre. Contouring war cinema as representing a somatic experience of space, the study applies a term recently developed by Derek Gregory within the theoretical framework of Critical Geography. What he calls "corpography" implies a constant re-mapping of landscape through the soldier's body. These assumptions can be used as a connection between already established theories of cartographic film narration and ideas of (neo)phenomenological film experience, as they also entail the involvement of the spectator's body in sensuously grasping what is staged as a mediated experience of war. While cinematic codes of war have long been oriented almost exclusively to the visual, the notion of corpography can help to reframe the concept of film genre in terms of expressive movement patterns and genre memory, avoiding reverting to the usual taxonomies of generic texts. 
546 |a In English. 
588 0 |a Online resource; title from PDF title page (publisher's Web site, viewed 22. Mai 2018). 
504 |a Includes bibliographical references (pages 182-192), filmography (pages 193-194) and indexes. 
590 |a eBooks on EBSCOhost  |b EBSCO eBook Subscription Academic Collection - Worldwide 
650 0 |a War films  |x History and criticism. 
650 4 |a cinematic space. 
650 4 |a genre theory. 
650 4 |a poetics of affect. 
650 4 |a War film. 
650 6 |a Films de guerre  |x Histoire et critique. 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 7 |a War films.  |2 fast  |0 (OCoLC)fst01170482 
650 7 |a Raum  |g Motiv  |2 gnd 
650 7 |a Kriegsfilm  |2 gnd 
650 7 |a Körper  |g Motiv  |2 gnd 
653 |a War film. 
653 |a cinematic space. 
653 |a genre theory. 
653 |a poetics of affect. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
776 0 |c EPUB  |z 9783110579710 
776 0 |c print  |z 9783110579635 
830 0 |a Cinepoetics ;  |v v. 3. 
856 4 0 |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1817712  |z Texto completo 
938 |a Askews and Holts Library Services  |b ASKH  |n AH33779642 
938 |a Askews and Holts Library Services  |b ASKH  |n AH35152582 
938 |a De Gruyter  |b DEGR  |n 9783110580808 
938 |a ProQuest Ebook Central  |b EBLB  |n EBL5402739 
938 |a YBP Library Services  |b YANK  |n 15453782 
938 |a EBSCOhost  |b EBSC  |n 1817712 
938 |a YBP Library Services  |b YANK  |n 15022096 
994 |a 92  |b IZTAP