Poetry and poetics after Wallace Stevens /

"As the figure of Wallace Stevens (1879-1955) becomes so entrenched in the Modernist canon that he serves as a major reference point for poets and critics alike, the time has come to investigate poetry and poetics after him. The ambiguity of the preposition is intentional: while after may refer...

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Détails bibliographiques
Cote:Libro Electrónico
Autres auteurs: Eeckhout, Bart, 1964- (Éditeur intellectuel), Goldfarb, Lisa (Éditeur intellectuel)
Format: Électronique eBook
Langue:Inglés
Publié: New York, NY : Bloomsbury Academic, 2017.
Sujets:
Stevens, Wallace, > 1879-1955 > Influence.
Stevens, Wallace, > 1879-1955 > Criticism and interpretation.
Stevens, Wallace, > 1879-1955 > Appreciation.
Stevens, Wallace, > 1879-1955
1900-2099
Modernism (Literature)
Poetics > History > 20th century.
Poetics > History > 21st century.
Modernisme (Littérature)
Poétique > Histoire > 20e siècle.
Poétique > Histoire > 21e siècle.
Literary studies: from c 1900.
Literary studies: poetry & poets.
Literary studies: general.
LITERARY CRITICISM > General.
LITERARY CRITICISM > American > General.
LITERARY CRITICISM > Poetry.
Art appreciation
Influence (Literary, artistic, etc.)
Poetics
Criticism, interpretation, etc.
History
Accès en ligne:Texto completo
Table des matières:
  • Cover; Contents; Acknowledgments; List of Illustrations; List of Abbreviations; 1 Introduction: After Stevens Bart Eeckhout and Lisa Goldfarb; 2 Frost or Stevens? Servants of Two Masters Bonnie Costello; 3 The Strands of Modernism: Stevens beside the Seaside Lee M. Jenkins; 4 Hearing Stevens in Sylvia Plath Bart Eeckhout; 5 Moving the "Moo" from Stevensian Blank Verse: Elizabeth Bishop's Use of Prose Angus Cleghorn; 6 Henri Michaux's Elsewhere through the Lens of Stevens' Poetic Theory Axel Nesme; 7 Stevens across the Iron Curtain Justin Quinn; 8 Stevens and Seamus Heaney George S. Lensing.
  • 9 The Not So Noble Rider: Stevens, Oppen, Glück Edward Ragg10 The Stevens Wars Al Filreis; 11 Stevens' Musical Legacy: "The Huge, High Harmony" Lisa Goldfarb; 12 "Ghostlier Demarcations, Keener Sounds": Stevens, Susan Howe, and the Souls of the Labadie Tract Joan Richardson; 13 How John Ashbery Modified Stevens' Uses of "As" Charles Altieri; 14 Silly to Be Serious: Lateness and the Question of Late Style in Stevens and A.R. Ammons Juliette Utard; 15 Unanticipated Readers Lisa M. Steinman; 16 "This Song Is for My Foe": Olive Senior and Terrance Hayes Rewrite Stevens Rachel Galvin.
  • 17 "The California Fruit of the Ideal": Stevens and Robert Hass Rachel MalkinNotes on Contributors; Index.

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