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The flesh of images : Merleau-Ponty between painting and cinema /
In The Flesh of Images, Mauro Carbone begins with the point that Merleau-Ponty's often misunderstood notion of "flesh" was another way to signify what he also called "Visibility." Considering vision as creative voyance, in the visionary sense of creating as a particular pres...
| Call Number: | Libro Electrónico |
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| Main Author: | |
| Other Authors: | |
| Format: | Electronic eBook |
| Language: | Inglés Francés |
| Published: |
Albany :
State University of New York Press,
[2015]
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| Series: | SUNY series in contemporary continental philosophy.
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| Subjects: | |
| Online Access: | Texto completo |