The neuro-image : a Deleuzian film-philosophy of digital screen culture /

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Arguing that today's viewers move through a character's brain instead of looking through his or her eyes or mental landscape, this book approaches twenty-first-century globalized cinema through the concept of the "neuro-image." Pisters explains why this concept has emerged now, a...

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Pisters, Patricia
Format: Électronique eBook
Langue:Inglés
Publié: Stanford, California : Stanford University Press, 2012.
Collection:Cultural memory in the present.
Sujets:
Deleuze, Gilles, > 1925-1995.
Deleuze, Gilles, > 1925-1995
2000-2099
Digital media > Philosophy.
Digital media > Psychological aspects.
Motion pictures > History > 21st century.
Motion pictures > Philosophy.
Motion pictures > Psychological aspects.
Neurosciences and motion pictures.
Médias numériques > Philosophie.
Médias numériques > Aspect psychologique.
Cinéma > Histoire > 21e siècle.
Neurosciences et cinéma.
Cinéma > Philosophie.
Cinéma > Aspect psychologique.
PERFORMING ARTS > Reference.
Digital media > Philosophy
Motion pictures
Motion pictures > Philosophy
Motion pictures > Psychological aspects
Neurosciences and motion pictures
History
Accès en ligne:Texto completo
Table des matières:
  • Schizoid minds, delirium cinema and powers of machines of the invisible
  • Illusionary perception and powers of the false
  • Surveillance screens and powers of affect
  • Signs of time : metaphysics of the brain-screen
  • Degrees of belief : epistemology of probabilities
  • Expressions of creation : aesthetics of material-force
  • The open archive : cinema as world-memory
  • Divine in(ter)vention : micropolitics and resistance
  • Logistics of perception 2.0 : multiple screens as affective weapons.

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