The theology of Handel's Messiah, Beethoven's Credo, and Verdi's Dies Irae : how listening to sung theology leads to the contemplation of God /

In pieces of music set to biblical or liturgical texts, the musical connections of one passage or one movement to one another. In a musical sense, these texts have a meaning and significance that can be and often distinct from the meanings achieved by syntactic relationships. Sometimes the syntactic...

Description complète

Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Greene, David B.
Format: Électronique eBook
Langue:Inglés
Publié: Lewiston : Edwin Mellen Press, 2011.
Sujets:
Handel, George Frideric, > 1685-1759. > Messiah.
Beethoven, Ludwig van, > 1770-1827. > Missa solemnis. > Credo.
Verdi, Giuseppe, > 1813-1901. > Messa da Requiem. > Dies irae.
Messa da Requiem (Verdi, Giuseppe)
Messiah (Handel, George Frideric)
Missa solemnis (Beethoven, Ludwig van)
Music > Religious aspects.
Musique > Aspect religieux.
MUSIC > Instruction & Study > Voice.
MUSIC > Lyrics.
MUSIC > Printed Music > Vocal.
Music > Religious aspects
Music.
Music, Dance, Drama & Film.
Music Philosophy.
Accès en ligne:Texto completo
Table des matières:
  • Chapter One: Sacred Music, Theology, and Spirituality; Chapter Two: Hearing Mozart's Mass in C Minor: When Relating to Music is Relating to God; Chapter Three: "Et Resurrexit" from Bach's Mass in B Minor: Meditations on Discontinuous Continuity; Chapter Four: Messiaen, Quartet for the End of Time: New Visions of New Time.

Documents similaires