Chargement en cours…
The principles and practice of modal counterpoint /
Covering modal music from Gregorian chant through the seventeenth-century, The Principles and Practice of Modal Counterpoint is a comprehensive textbook combining stylistic composition, theory and analysis, music history, and performance. By supplementing a modified species approach with a wealth of...
| Cote: | Libro Electrónico |
|---|---|
| Auteur principal: | |
| Autres auteurs: | |
| Format: | Électronique eBook |
| Langue: | Inglés |
| Publié: |
New York :
Routledge,
2011.
|
| Sujets: | |
| Accès en ligne: | Texto completo |
Table des matières:
- Ch. 1. Modes and monophony
- ch. 2. The single line
- ch. 3. Counterpoint during the Middle Ages
- ch. 4. First species in two voices
- ch. 5. First species in three voices
- ch. 6. Counterpoint during the fourteenth century
- ch. 7. Second species in two voices
- ch. 8. Second species in three voices
- ch. 9. Counterpoint during the Renaissance
- ch. 10. Fourth species in two voices
- ch. 11. Fourth species in three voices
- ch. 12. Texture, melody, and meter
- ch. 13. Further aspects of species counterpoint
- ch. 14. The melodic line
- ch. 15. Modal counterpoint in two voices
- ch. 16. Modal counterpoint in three voices
- ch. 17. Modal counterpoint in four or more voices
- ch. 18. The rise of tonality in the seventeenth century.