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Nationalists, cosmopolitans, and popular music in Zimbabwe /
Hailed as a national hero and musical revolutionary, Thomas Mapfumo, along with other Zimbabwean artists, burst onto the music scene in the 1980s with a unique style that combined electric guitar with indigenous Shona music and instruments. The development of this music from its roots in the early R...
| Cote: | Libro Electrónico |
|---|---|
| Auteur principal: | |
| Format: | Électronique eBook |
| Langue: | Inglés |
| Publié: |
Chicago :
University of Chicago Press,
©2000.
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| Collection: | Chicago studies in ethnomusicology.
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| Sujets: | |
| Accès en ligne: | Texto completo |
Table des matières:
- Acknowledgments
- Part One: Critical Foundations
- Introduction
- 1. Social Identities and Indigenous Musical Practices
- Part Two: Colonialism and the Rise of Urban Popular Music
- 2. Indigenous Music and Dance in Mbare Township, 1930-1960
- 3. The Settler-State and Indigenous Music during the Federation Years
- 4. The African Middle Class: Concerts, Cultural Discourse, and All That Jazz
- Part Three: Musical Nationalism
- 5. Music, Emotion, and Cultural Nationalism, 1958-1963
- 6. Musical Nationalism and Chimurenga Songs of the 1970s.
- Part Four: Guitar Bands and Cosmopolitan Youth Culture
- 7. On the Margins of Nationalism: Acoustic Guitarists and Guitar Bands of the 1960s
- 8. Stars of the Seventies: The Rise of Indigenous-Based Guitar Bands
- Part Five: Globalization Begins at Home
- 9. Nationalism, Cosmopolitanism, and Popular Music after 1980
- Notes
- References and Bibliography
- Discography
- Index
- A gallery of photographs.