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Solid objects : modernism and the test of production /
"In this study, Douglas Mao argues that a profound tension between veneration of human production and anxiety about production's dangers lay at the heart of literary modernism. Focusing on the work of Virginia Woolf, Wyndham Lewis, Ezra Pound, and Wallace Stevens, Mao shows that modernists...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, N.J. :
Princeton University Press,
©1998.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Mao, Douglas, |d 1966- | |
| 245 | 1 | 0 | |a Solid objects : |b modernism and the test of production / |c Douglas Mao. |
| 260 | |a Princeton, N.J. : |b Princeton University Press, |c ©1998. | ||
| 300 | |a 1 online resource (xii, 308 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 285-296) and index. | ||
| 505 | 0 | |a Virginia Woolf -- Wyndham Lewis -- Ezra Pound -- Wallace Stevens. | |
| 588 | 0 | |a Print version record. | |
| 520 | 1 | |a "In this study, Douglas Mao argues that a profound tension between veneration of human production and anxiety about production's dangers lay at the heart of literary modernism. Focusing on the work of Virginia Woolf, Wyndham Lewis, Ezra Pound, and Wallace Stevens, Mao shows that modernists were captivated by physical objects which, regarded as objects, seemed to partake of a utopian serenity beyond the reach of human ideological conflicts. Under a variety of historical pressures, Mao observes, these writers came to revere the making of such things, and especially the crafting of the work of art, as the surest guarantee of meaning for an individual life. Yet they also found troubling contradictions here, since any kind of making, be it handicraft or mass production, could also be understood as a violation of the nonhuman world by an increasingly predatory and imperialistic subjectivity. If modernists began by embracing production as a test of meaning, then, they frequently ended by testing production itself and finding it wanting."--Jacket | |
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| 650 | 0 | |a Modernism (Literature) | |
| 650 | 0 | |a European literature |y 20th century |x History and criticism. | |
| 650 | 0 | |a Production (Economic theory) in literature. | |
| 650 | 0 | |a Material culture in literature. | |
| 650 | 0 | |a Material culture |z Europe. | |
| 650 | 6 | |a Modernisme (Littérature) | |
| 650 | 6 | |a Littérature européenne |y 20e siècle |x Histoire et critique. | |
| 650 | 6 | |a Production dans la littérature. | |
| 650 | 6 | |a Culture matérielle dans la littérature. | |
| 650 | 6 | |a Culture matérielle |z Europe. | |
| 650 | 7 | |a TRAVEL |x Special Interest |x Literary. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x General. |2 bisacsh | |
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| 650 | 7 | |a Material culture. |2 fast |0 (OCoLC)fst01011739 | |
| 650 | 7 | |a Material culture in literature. |2 fast |0 (OCoLC)fst01011754 | |
| 650 | 7 | |a Modernism (Literature) |2 fast |0 (OCoLC)fst01024455 | |
| 650 | 7 | |a Production (Economic theory) in literature. |2 fast |0 (OCoLC)fst01078266 | |
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| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Mao, Douglas, 1966- |t Solid objects. |d Princeton, N.J. : Princeton University Press, ©1998 |z 0691059268 |w (DLC) 98011863 |w (OCoLC)38326297 |
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