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Jazz as critique : Adorno and Black expression revisited /

Bringing critical theory to bear on music, this book argues that the jazz form models progressive social relations through its foregrounding of a ""communal self, "" an African-American subjectivity that demands recognition of black humanity and alterity

Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Okiji, Fumi, 1976- (Auteur)
Format: Électronique eBook
Langue:Inglés
Publié: Stanford, California : Stanford University Press, [2018]
Sujets:
Accès en ligne:Texto completo
Table des matières:
  • Jazz, individualism and the black modern
  • Double consciousness and the critical potential of black expression
  • Black dwelling, a refuge for the homeless
  • Storytelling, sound and silence
  • Postscript : some thoughts on the inadequacy and indispensability of jazz records.