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Italian neorealist cinema /
How has Italian neorealist cinema changed the boundaries of cinematic narration and representation? In this new study, Torunn Haaland argues that neorealism was a cultural moment based on individual optiques. She accounts for the tradition's coherence in terms of its moral commitment to creatin...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
©2012.
|
| Colección: | Traditions in world cinema.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Haaland, Torunn. | |
| 245 | 1 | 0 | |a Italian neorealist cinema / |c Torunn Haaland. |
| 260 | |a Edinburgh : |b Edinburgh University Press, |c ©2012. | ||
| 300 | |a 1 online resource (xii, 235 pages) : |b illustrations | ||
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| 490 | 1 | |a Traditions in world cinema | |
| 504 | |a Includes bibliographical references (pages 222-232) and index. | ||
| 505 | 0 | |a A moment and a country -- Realism and neorealism -- Literary neorealism : narration and testimony -- Rossellini's cities of war and resistance -- Wandering among De Sica's urbanites : shoeshiners, bicycle thieves, miraculous outcasts and a man with a dog -- Visconti's worlds of aestheticism and ideology : between tradition and invention, from country to city -- Faces and spaces of neorealism : from dystopian cities to utopian countries -- The journey beyond neorealism : streetwalkers, political rebels, anti-mafia resisters, stolen children and unwanted citizens. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a How has Italian neorealist cinema changed the boundaries of cinematic narration and representation? In this new study, Torunn Haaland argues that neorealism was a cultural moment based on individual optiques. She accounts for the tradition's coherence in terms of its moral commitment to creating critical viewing experiences around underrepresented realities and marginalised people. By examining both acclaimed masterpieces and lesser known works, parallels are drawn to realist theories and to past and present cinematic traditions. The ways in which successive generations of directors have readopted, negotiated and broken with the themes and aesthetics of neorealist film are discussed and evaluated, along with neorealist tendencies in other arts, such as literature. An engaging and informative read for students and scholars in Italian Studies, Italian Neorealist Cinema presents a new approach to a key cinematic tradition, and so is essential reading for everyone working in the field of Film Studies. | ||
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