Dissonant divas in chicana music : the limits of la onda /

Musical sound has been central to heteromasculinist productions of nation and homeland, whether Chicano, Tejano, Texan, Mexican, or American. If this assertion holds true, as Deborah R. Vargas suggests, then what are we to make of those singers and musicians whose representations of gender and sexua...

Full description

Bibliographic Details
Call Number:Libro Electrónico
Main Author: Vargas, Deborah R.
Format: Electronic eBook
Language:Inglés
Published: Minneapolis : University of Minnesota Press, 2012.
Subjects:
1900-1999
Music > Mexico > 20th century > History and criticism.
Mexican Americans > Music.
Tejano music > History and criticism.
Gender identity in music.
Mexican American women.
Women musicians > United States.
Music > Social aspects.
Américains d'origine mexicaine > Musique.
Tejano (Musique) > Histoire et critique.
Identité de genre dans la musique.
Américaines d'origine mexicaine.
Musiciennes > États-Unis.
Musique > Aspect social.
MUSIC > Genres & Styles > Pop Vocal.
Gender identity in music
Mexican American women
Mexican Americans
Music
Music > Social aspects
Tejano music
Women musicians
Geschlechterrolle
Mexikanische Einwanderin
Musik
Volksmusik
Mexico
United States
Texas
Criticism, interpretation, etc.
Online Access:Texto completo

Internet

Texto completo

Error inesperado del formato de respuesta.
Holdings details from

Similar Items