The African American roots of modernism : from Reconstruction to the Harlem Renaissance /

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In identifying the Jim Crow period with the coming of modernity, Smethurst upsets the customary assessment of the Harlem Renaissance as the first nationally significant black arts movement, showing how artists reacted to Jim Crow with migration narratives, poetry about the black experience, and more...

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Smethurst, James Edward
Format: Électronique eBook
Langue:Inglés
Publié: Chapel Hill, North Carolina : University of North Carolina Press, [2011]
Collection:John Hope Franklin series in African American history and culture.
Sujets:
1800-1999
American literature > African American authors > History and criticism.
Segregation in literature.
African Americans > Segregation.
African Americans > Intellectual life > 19th century.
African Americans > Intellectual life > 20th century.
Modernism (Literature) > United States.
Ségrégation dans la littérature.
Noirs américains > Ségrégation.
Noirs américains > Vie intellectuelle > 19e siècle.
Noirs américains > Vie intellectuelle > 20e siècle.
Modernisme (Littérature) > États-Unis.
LITERARY CRITICISM > American > General.
SOCIAL SCIENCE > Ethnic Studies > African American Studies.
African Americans > Intellectual life
African Americans > Segregation
American literature > African American authors
Modernism (Literature)
Segregation in literature
Moderne
Literatur
Kultur
Schwarze
Literatur.
Amerikanisches Englisch.
Schwarze.
Rassentrennung.
Geistesleben.
Moderne.
United States
USA
Electronic books.
Criticism, interpretation, etc.
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