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101112s2008 mau o 00 0 eng d |
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|a 9781684174812
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|z 9780674031746
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|z 1684174813
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|a (OCoLC)1132663935
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|a MdBmJHUP
|c MdBmJHUP
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100 |
1 |
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|a Rojas, Carlos,
|d 1970-
|e author.
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245 |
1 |
4 |
|a The Naked Gaze :
|b Reflections on Chinese Modernity /
|c Carlos Rojas.
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264 |
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1 |
|a Cambridge, Mass. :
|b Distributed by Harvard University Press,
|c 2008.
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264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2020
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264 |
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|c ©2008.
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300 |
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|a 1 online resource (373 pages):
|b illustrations (some color)
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336 |
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|a text
|b txt
|2 rdacontent
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337 |
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|a computer
|b c
|2 rdamedia
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338 |
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|a online resource
|b cr
|2 rdacarrier
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490 |
0 |
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|a Harvard East Asian monographs ;
|v 308
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505 |
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|a The errant gaze -- Specularity and the limits of vision -- Li Ruzhen and laughing at the gibbon -- Chen Sen and the coin of gender -- Wumingshi and pictorial fetishism -- Jin Yong and picturing nationalism -- Eileen Chang and photographic nostalgia -- Li Yung-pʻing and spectral cartography -- Gao Xingjian and maternal photographs -- Wang Shuo and historical portraiture -- Chu Tʻien-wen and cinematic shadows.
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520 |
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|a "This is a study of visuality in early modern and modern China. Its focus, however, is not so much on imagery per se but rather on how vision itself has been conceived, imagined, and deployed in a variety of discursive contexts. Of particular interest is how these discourses of vision have been used to articulate issues of gender and desire, and specifically processes of gendered subject formation. Through detailed readings of narrative works by eight nineteenth- and twentieth-century authors - ranging from the canonical to the popular to the esoteric - the study identifies three distinct constellations of visual concerns corresponding to the late imperial, mid-twentieth century, and contemporary periods, respectively. At the same time, however, it argues that those historical periodizations themselves do not reflect a smooth, unidirectional temporal movement; rather, they are the result of a complex process of retrospection and anticipatory projection. The goal of this volume is to use a focus on tropes of visuality and gender to reflect on shifting understandings of the significance of Chineseness, modernity, and Chinese modernity."--Jacket
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588 |
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|a Description based on print version record.
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650 |
|
7 |
|a Kinesisk litteratur
|x historia
|y 1800-talet
|y 1900-talet.
|2 sao
|
650 |
|
7 |
|a Samhällsutveckling.
|2 kao
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650 |
|
7 |
|a Självporträtt
|x fotografi.
|2 kao
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650 |
|
7 |
|a Författare
|x litteraturvetenskap
|x modernismen
|z Kina
|y 1800-talet
|y 1900-talet.
|2 kao
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650 |
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7 |
|a Sehen
|g Motiv
|2 gnd
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650 |
|
7 |
|a Literatur
|2 gnd
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650 |
|
7 |
|a Chinese literature.
|2 fast
|0 (OCoLC)fst00857595
|
650 |
|
7 |
|a PHILOSOPHY
|x Aesthetics.
|2 bisacsh
|
650 |
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6 |
|a Litterature chinoise
|y 20e siecle
|x Histoire et critique.
|
650 |
|
6 |
|a Litterature chinoise
|y 19e siecle
|x Histoire et critique.
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650 |
|
0 |
|a Chinese literature
|y 20th century
|x History and criticism.
|
650 |
|
0 |
|a Chinese literature
|y 19th century
|x History and criticism.
|
651 |
|
7 |
|a Chinesisch.
|2 swd
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
655 |
|
7 |
|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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0 |
|a Book collections on Project MUSE.
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856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/61524/
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945 |
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|a Project MUSE - Custom Collection
|
945 |
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|a Project MUSE - Archive Complete Supplement VIII
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945 |
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|a Project MUSE - Archive Literature Supplement VIII
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945 |
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|a Project MUSE - Archive Asian and Pacific Studies Supplement VII
|