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Indiscernible Counterparts : The Invention of the Text in French Classical Drama /
While the plays of classical France achieve an unprecedented scenic perfection, what ultimately distinguishes classical drama is its unique awareness of its literary properties: the canny excavation of its resources as the site, instrument, and product of a concerted act of writing. But this self-co...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chapel Hill :
University of North Carolina,
2017.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
| Sumario: | While the plays of classical France achieve an unprecedented scenic perfection, what ultimately distinguishes classical drama is its unique awareness of its literary properties: the canny excavation of its resources as the site, instrument, and product of a concerted act of writing. But this self-conscious literariness also bears witness to the era's corollary awareness of the predicament in which even great art works stand as the occasion and counterpart of a critical, often ironic act of reading. In "inventing," that is, creating and discovering, the text as a vehicle of self-determining authorship, the "grands classiques" simultaneously invent the key critical insights shaping the methods we ourselves bring to bear on the poetic monuments they have left us. The literary monument thereby becomes its own "indiscernible counterpart," deliberately engaging what, in theory, ought to escape it--the deconstructive "other" only another contrives to see. |
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| Descripción Física: | 1 online resource (387 pages). |
| ISBN: | 9781469639246 |