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Interpreting Musical Gestures, Topics, and Tropes : Mozart, Beethoven, Schubert /

"Part Two introduces a new approach by combining critical theory with biological and psychological theories of gesture, thereby surpassing the limits of conventional semiotic analysis. Within this section, Hatten presents analyses of Classical period works by Beethoven, Mozart, and Schubert. Pa...

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Detalles Bibliográficos
Autor principal: Hatten, Robert S. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington, IN : Indiana University Press, 2004.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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035 |a (OCoLC)1013743410 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Hatten, Robert S.,  |e author. 
245 1 0 |a Interpreting Musical Gestures, Topics, and Tropes :   |b Mozart, Beethoven, Schubert /   |c Robert S. Hatten. 
264 1 |a Bloomington, IN :  |b Indiana University Press,  |c 2004. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2017 
264 4 |c ©2004. 
300 |a 1 online resource (376 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Musical Meaning and Interpretation 
505 0 |a Markedness, topics, and tropes -- Musical gesture -- Continuity and discontinuity. 
520 8 |a "Part Two introduces a new approach by combining critical theory with biological and psychological theories of gesture, thereby surpassing the limits of conventional semiotic analysis. Within this section, Hatten presents analyses of Classical period works by Beethoven, Mozart, and Schubert. Part three extends these ideas into a theory of musical continuity, with several analyses of Beethoven's late works."--Jacket 
520 1 |a "This book continues to develop Hatten's theory of musical physical based on the principles of semiotic theory as introduced in Musical Meaning in Beethoven (1994). In Part One, Hatten applies his theories of markedness, topics, and tropes to individual works by Beethoven and Schubert, ending the section with a chapter that presents an overview of topics, genres, and forms as tropes in Baroque, Classical, and Romantic music." 
588 |a Description based on print version record. 
650 7 |a Musikalische Semiotik  |2 gnd 
650 1 7 |a Semiotiek.  |2 gtt 
650 1 7 |a Interpretatie.  |2 gtt 
650 1 7 |a Muziek.  |2 gtt 
650 7 |a Music  |x Semiotics.  |2 fast  |0 (OCoLC)fst01030442 
650 7 |a MUSIC  |x Instruction & Study  |x Theory.  |2 bisacsh 
650 6 |a Semiotique et musique. 
650 0 |a Music  |x Semiotics. 
600 1 7 |a Schubert, Franz.  |2 swd 
600 1 7 |a Mozart, Wolfgang Amadeus.  |2 swd 
600 1 7 |a Beethoven, Ludwig ((van))  |2 swd 
600 1 7 |a Schubert, Franz,  |d 1797-1828.  |2 fast  |0 (OCoLC)fst00000102 
600 1 7 |a Mozart, Wolfgang Amadeus,  |d 1756-1791.  |2 fast  |0 (OCoLC)fst00050702 
600 1 7 |a Beethoven, Ludwig van,  |d 1770-1827.  |2 fast  |0 (OCoLC)fst00042803 
600 1 6 |a Schubert, Franz,  |d 1797-1828  |x Critique et interpretation. 
600 1 6 |a Beethoven, Ludwig van,  |d 1770-1827  |x Critique et interpretation. 
600 1 6 |a Mozart, Wolfgang Amadeus,  |d 1756-1791  |x Critique et interpretation. 
600 1 0 |a Schubert, Franz,  |d 1797-1828  |x Criticism and interpretation. 
600 1 0 |a Beethoven, Ludwig van,  |d 1770-1827  |x Criticism and interpretation. 
600 1 0 |a Mozart, Wolfgang Amadeus,  |d 1756-1791  |x Criticism and interpretation. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/56591/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2017 Complete 
945 |a Project MUSE - 2017 Film, Theater and Performing Arts