Interpreting Musical Gestures, Topics, and Tropes : Mozart, Beethoven, Schubert /

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"Part Two introduces a new approach by combining critical theory with biological and psychological theories of gesture, thereby surpassing the limits of conventional semiotic analysis. Within this section, Hatten presents analyses of Classical period works by Beethoven, Mozart, and Schubert. Pa...

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Detalles Bibliográficos
Autor principal: Hatten, Robert S. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington, IN : Indiana University Press, 2004.
Colección:Book collections on Project MUSE.
Temas:
Schubert, Franz.
Mozart, Wolfgang Amadeus.
Beethoven, Ludwig ((van))
Schubert, Franz, > 1797-1828.
Mozart, Wolfgang Amadeus, > 1756-1791.
Beethoven, Ludwig van, > 1770-1827.
Schubert, Franz, > 1797-1828 > Critique et interpretation.
Beethoven, Ludwig van, > 1770-1827 > Critique et interpretation.
Mozart, Wolfgang Amadeus, > 1756-1791 > Critique et interpretation.
Schubert, Franz, > 1797-1828 > Criticism and interpretation.
Beethoven, Ludwig van, > 1770-1827 > Criticism and interpretation.
Mozart, Wolfgang Amadeus, > 1756-1791 > Criticism and interpretation.
Musikalische Semiotik
Semiotiek.
Interpretatie.
Muziek.
Music > Semiotics.
MUSIC > Instruction & Study > Theory.
Semiotique et musique.
Criticism, interpretation, etc.
Electronic books.
Acceso en línea:Texto completo
Descripción
Sumario:"Part Two introduces a new approach by combining critical theory with biological and psychological theories of gesture, thereby surpassing the limits of conventional semiotic analysis. Within this section, Hatten presents analyses of Classical period works by Beethoven, Mozart, and Schubert. Part three extends these ideas into a theory of musical continuity, with several analyses of Beethoven's late works."--Jacket
"This book continues to develop Hatten's theory of musical physical based on the principles of semiotic theory as introduced in Musical Meaning in Beethoven (1994). In Part One, Hatten applies his theories of markedness, topics, and tropes to individual works by Beethoven and Schubert, ending the section with a chapter that presents an overview of topics, genres, and forms as tropes in Baroque, Classical, and Romantic music."
Descripción Física:1 online resource (376 pages).
ISBN:9780253030276

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