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Using film as a source /

This book is a hands-on study skills guide which explores how film and moving image can be used as sources. It is aimed at those who want to use film material as the basis for research and offers advice on research methods, theory and methodology, archival work and film-based analysis including a de...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Barber, Sian (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2017
Colección:IHR research guides.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Using film as a source /   |c Sian Barber. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2017 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2017 
264 4 |c ©2017 
300 |a 1 online resource (192 pages):   |b illustrations. 
336 |a text  |b txt  |2 rdacontent 
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490 0 |a IHR research guides 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (pages [161]-172) and index. 
505 0 |a Introduction -- Film and history -- Film form and aesthetics -- Film historiography -- Formulating research questions -- Theory and methodology -- Resources -- Using sources -- Writing up your findings. 
506 |a Access restricted to authorized users and institutions. 
520 |a This book is a hands-on study skills guide which explores how film and moving image can be used as sources. It is aimed at those who want to use film material as the basis for research and offers advice on research methods, theory and methodology, archival work and film-based analysis including a detailed section on film aesthetics. It draws on the disciplines of film and history to offer advice for students and researchers in these fields. The skills acquired in the fields of history, politics, English literature, sociology, cultural and media studies can all help to use film as 'historical evidence,' but the study of film is a discipline in its own right. Film cannot be treated simply as a historical source, but rather needs to be understood as a distinctive medium, possessed of visual and textual codes. This guide includes sections on working with different kinds of moving images, how to explore visual sources, how to undertake film-related research and how to use film theory. As well as detailed case studies on individual films and topics, it also offers advice on research, writing and studying, creating a methodology, visiting archives, accessing material and exploring films from a historical perspective. Everything included is also an example of good research practice, whether it be conducting an interview, visiting an archive, undertaking textual analysis or defining a research question. 
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830 0 |a IHR research guides. 
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