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Reframing Holocaust Testimony

Institutions that have collected video testimonies from the few remaining Holocaust survivors are grappling with how to continue their mission to educate and commemorate. Noah Shenker calls attention to the ways that audiovisual testimonies of the Holocaust have been mediated by the institutional hi...

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Detalles Bibliográficos
Autor principal: Shenker, Noah
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington, IN : Indiana University Press, 2015.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Shenker, Noah. 
245 1 0 |a Reframing Holocaust Testimony 
264 1 |a Bloomington, IN :  |b Indiana University Press,  |c 2015. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©2015. 
300 |a 1 online resource (262 pages). 
336 |a text  |b txt  |2 rdacontent 
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490 0 |a The Modern Jewish Experience 
505 0 |a 1. Testimonies from the Grassroots: The Fortunoff Video Archive for Holocaust Testimonies -- 2. Centralizing Holocaust Testimony: The United States Holocaust Memorial Museum -- 3. The Cinematic Origins and the Digital Future of the Shoah Foundation -- 4. Telling and Retelling Holocaust Testimonies. Conclusion: Documenting Genocide through the Lens of the Holocaust. 
520 |a Institutions that have collected video testimonies from the few remaining Holocaust survivors are grappling with how to continue their mission to educate and commemorate. Noah Shenker calls attention to the ways that audiovisual testimonies of the Holocaust have been mediated by the institutional histories and practices of their respective archives. Shenker argues that testimonies are shaped not only by the encounter between interviewer and interviewee, but also by technical practices and the testimony process. He analyzes the ways in which interview questions, the framing of the camera, and curatorial and programming preferences impact how Holocaust testimony is molded, distributed, and received. 
546 |a English. 
588 |a Description based on print version record. 
650 7 |a Social aspects.  |2 fast  |0 (OCoLC)fst01354981 
650 7 |a Oral history  |x Audio-visual aids.  |2 fast  |0 (OCoLC)fst01047057 
650 7 |a Interviewing  |x Technique.  |2 fast  |0 (OCoLC)fst00977613 
650 7 |a Influence (Literary, artistic, etc.)  |2 fast  |0 (OCoLC)fst00972484 
650 7 |a Audio-visual materials.  |2 fast  |0 (OCoLC)fst00821067 
650 7 |a SOCIAL SCIENCE  |x Media Studies.  |2 bisacsh 
650 7 |a HISTORY  |z Europe  |x Western.  |2 bisacsh 
650 6 |a Video  |x Influence. 
650 6 |a Histoire orale  |x Aides audiovisuelles. 
650 6 |a Holocauste, 1939-1945  |x Aspect social. 
650 6 |a Holocauste, 1939-1945  |v Recits personnels  |x Aides audiovisuelles. 
650 6 |a Holocauste, 1939-1945  |x Étude et enseignement  |x Aides audiovisuelles. 
650 0 |a Interviewing  |x Technique. 
650 0 |a Video recording  |x Influence. 
650 0 |a Oral history  |x Audio-visual aids. 
650 0 |a Holocaust, Jewish (1939-1945)  |x Social aspects. 
650 0 |a Holocaust, Jewish (1939-1945)  |v Personal narratives  |x Audio-visual aids. 
650 0 |a Holocaust, Jewish (1939-1945)  |x Study and teaching  |x Audio-visual aids. 
650 0 |a Holocaust, Jewish (1939-1945)  |x Influence. 
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830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/41038/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2015 History 
945 |a Project MUSE - 2015 Complete 
945 |a Project MUSE - 2015 Jewish Studies