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130617s2013 miu o 00 0 eng d |
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|a 9780472029082
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|z 9780472118748
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|z 9780472036103
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|a (OCoLC)848902290
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|a MdBmJHUP
|c MdBmJHUP
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100 |
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|a Harding, James Martin,
|d 1958-
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|a The Ghosts of the Avant-Garde(s) :
|b Exorcising Experimental Theater and Performance /
|c James M. Harding.
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264 |
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1 |
|a Ann Arbor :
|b University of Michigan Press,
|c [2013]
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264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2013
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264 |
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4 |
|c ©[2013]
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300 |
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|a 1 online resource (246 pages).
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Introduction : avant-garde pluralities, an introduction -- Avant-garde rhetoric : show trials and collapsing discourse at the birth of surrealism -- From anti-culture to counter-culture : the emergence of the American hybrid vanguardism -- Critique of the artist as (re)producer : Warhol, The Living Theatre, and Frankenstein -- Brechtian aesthetics and the death of the director in Peter Brook's The Mahabharata -- From cutting edge to rough edges : on the transnational foundations of avant-garde performance -- Performing the vanquished vanguards : nostalgia, globalization, and the possibility of avant-gardes -- Victims of history and the ghosts of the avant-gardes : a plausibly deniable conclusion.
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520 |
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|a Pronouncements such as "the avant-garde is dead," argues the author, have suggested a unified history or theory of the avant-garde. This book examines the diversity and plurality of avant-garde gestures and expressions to suggest "avant-garde pluralities" and how an appreciation of these pluralities enables a more dynamic and increasingly global understanding of vanguardism in the performing arts. In pursuing this goal, the book not only surveys a wide variety of canonical and noncanonical examples of avant-garde performance, but also develops a range of theoretical paradigms that defend the haunting cultural and political significance of avant-garde expressions beyond what critics have presumed to be the death of the avant-garde. This book offers a striking perspective not only on key controversies and debates within avant-garde studies, but also on contemporary forms of avant-garde expression within a global political economy. --
|c Provided by publisher.
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546 |
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|a English.
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588 |
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|a Description based on print version record.
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650 |
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7 |
|a Avantgarde
|2 gnd
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650 |
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7 |
|a Performance.
|2 gnd
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650 |
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7 |
|a Experimentelles Theater
|2 gnd
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650 |
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7 |
|a Experimental theater.
|2 fast
|0 (OCoLC)fst00918508
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650 |
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7 |
|a Experimental drama.
|2 fast
|0 (OCoLC)fst00918412
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650 |
|
7 |
|a PERFORMING ARTS
|x Theater
|x Stagecraft.
|2 bisacsh
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650 |
|
7 |
|a ART
|x History
|x Modern (late 19th Century to 1945)
|2 bisacsh
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650 |
|
7 |
|a PERFORMING ARTS
|x Theater
|x History & Criticism.
|2 bisacsh
|
650 |
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6 |
|a Theâtre experimental
|x Histoire et critique.
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650 |
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0 |
|a Experimental drama
|x History and criticism.
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650 |
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0 |
|a Experimental theater
|x History and criticism.
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
|
7 |
|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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0 |
|a Book collections on Project MUSE.
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856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/23554/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2013 Film, Theater and Performing Arts
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945 |
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|a Project MUSE - 2013 Complete
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