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The Ghosts of the Avant-Garde(s) : Exorcising Experimental Theater and Performance /

Pronouncements such as "the avant-garde is dead," argues the author, have suggested a unified history or theory of the avant-garde. This book examines the diversity and plurality of avant-garde gestures and expressions to suggest "avant-garde pluralities" and how an appreciation...

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Detalles Bibliográficos
Autor principal: Harding, James Martin, 1958-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ann Arbor : University of Michigan Press, [2013]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo
Descripción
Sumario:Pronouncements such as "the avant-garde is dead," argues the author, have suggested a unified history or theory of the avant-garde. This book examines the diversity and plurality of avant-garde gestures and expressions to suggest "avant-garde pluralities" and how an appreciation of these pluralities enables a more dynamic and increasingly global understanding of vanguardism in the performing arts. In pursuing this goal, the book not only surveys a wide variety of canonical and noncanonical examples of avant-garde performance, but also develops a range of theoretical paradigms that defend the haunting cultural and political significance of avant-garde expressions beyond what critics have presumed to be the death of the avant-garde. This book offers a striking perspective not only on key controversies and debates within avant-garde studies, but also on contemporary forms of avant-garde expression within a global political economy. --
Descripción Física:1 online resource (246 pages).
ISBN:9780472029082