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Ghost Dance : A Play of Voices: A Novel /

"Written at the height of the arts and crafts movement in fin-de-siecle Vienna, Alois Riegl's Stilfragen represented a turning point in defining art and understanding the sources of its inspiration. Demonstrating an uninterrupted continuity in the history of ornament from the ancient Egypt...

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Detalles Bibliográficos
Autor principal: Swan, Gladys, 1934-
Formato: Electrónico eBook
Idioma:Inglés
Alemán
Publicado: Baton Rouge : Louisiana State University Press, 1992.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Swan, Gladys,  |d 1934- 
245 1 0 |a Ghost Dance :   |b A Play of Voices: A Novel /   |c by Gladys Swan. 
264 1 |a Baton Rouge :  |b Louisiana State University Press,  |c 1992. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2013 
264 4 |c ©1992. 
300 |a 1 online resource (252 pages). 
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505 0 |a Ch. 1. The Geometric Style -- Ch. 2. The Heraldic Style -- Ch. 3. The Introduction of Vegetal Ornament and the Development of the Ornamental Tendril -- A. Near Eastern -- 1. Egyptian. The Development of Vegetal Ornament -- 2. Mesopotamian -- 3. Phoenician -- 4. Persian -- B. Vegetal Ornament in Greek Art -- 1. Mycenaean. The Origin of the Tendril -- 2. The Dipylon Style -- 3. Melian -- 4. Rhodian -- 5. Early Boeotian and Early Attic -- 6. The Interlacing Tendril -- 7. The Development of the Tendril Frieze -- 8. The Further Development of the All-over Tendril Pattern -- 9. The Emergence of Acanthus Ornament -- 10. Hellenistic and Roman Tendril Ornament -- a. Two-Dimensional Palmette-Tendrils -- b. The Acanthus Tendril -- Ch. 4. The Arabesque: Introduction -- A. Tendril Ornament in Byzantine Art -- B. Early Islamic Tendril Ornament -- Glossary of Terms and Concepts Used by Riegl. 
520 1 |a "Written at the height of the arts and crafts movement in fin-de-siecle Vienna, Alois Riegl's Stilfragen represented a turning point in defining art and understanding the sources of its inspiration. Demonstrating an uninterrupted continuity in the history of ornament from the ancient Egyptian through the Islamic period, Riegl argued that the creative urge manifests itself in both "great art" and the most humble artifact, and that change is an inherent part of style. This new translation, which renders Riegl's seminal work in contemporary, readable prose, allows for a fresh reexamination of his thought in light of current revisionist debate." "His discovery of infinite variation in the restatement of several decorative motifs - the palmette, rosette, tendril - led Riegl to believe that art is completely independent from exterior conditions and is beyond individual volition. This thinking laid the groundwork for his famous concept of Kunstwollen, or artistic intention."--Jacket 
588 |a Description based on print version record. 
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945 |a Project MUSE - Archive Poetry, Fiction and Creative Non-Fiction Supplement 
945 |a Project MUSE - Archive Complete Supplement