Chamber Music : Elizabethan Sonnet-Sequences and the Pleasure of Criticism /

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Arranged somewhat like a sonnet-sequence, in semi-sequential units, Chamber Music can be seen as following two streams. In the first instance, it presents a fresh and original discussion of the major Elizabethan sonnet-sequences: Sidney's Astrophil and Stella, Spenser's Amoretti and Epitha...

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Detalles Bibliográficos
Autor principal: Kuin, Roger
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Toronto, Ont. : University of Toronto Press, 1998.
Colección:Book collections on Project MUSE.
Temas:
Literatuurkritiek.
Engels.
Sonnetten.
Sonett
Literaturtheorie
Sonnets, English.
English poetry > Early modern.
LITERARY CRITICISM > European > English, Irish, Scottish, Welsh.
POETRY > English, Irish, Scottish, Welsh.
Poesie anglaise > 17e siecle > Histoire et critique.
Sonnets anglais > Histoire et critique.
English poetry > Early modern, 1500-1700 > History and criticism.
Sonnets, English > History and criticism.
Englisch.
Livres numeriques.
Criticism, interpretation, etc.
e-books.
Electronic books.
Acceso en línea:Texto completo
Descripción
Sumario:Arranged somewhat like a sonnet-sequence, in semi-sequential units, Chamber Music can be seen as following two streams. In the first instance, it presents a fresh and original discussion of the major Elizabethan sonnet-sequences: Sidney's Astrophil and Stella, Spenser's Amoretti and Epithalamion, and Shakespeare's Sonnets and Lover's Complaint. The sonnet-sequences are read in tandem with works of modern criticism, including those of Roland Barthes, Michel Riffaterre, Paul Ricoeur, Jacques Derrida, and Umberto Eco. The book is also an experiment in modern (as opposed to postmodern) criticism in which the content of the argument modifies the presentation.
Descripción Física:1 online resource (288 pages).
ISBN:9781442672826

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