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|a UAMI
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| 100 |
1 |
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|a Ghorbani, Sogand,
|e author.
|
| 245 |
1 |
0 |
|a Audio content security :
|b attack analysis on audio watermarking /
|c Sogand Ghorbani, Iraj Sadegh Amiri.
|
| 264 |
|
1 |
|a Cambridge, MA :
|b Syngress is an imprint of Elsevier,
|c [2016]
|
| 264 |
|
4 |
|c ©2016
|
| 300 |
|
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|a 1 online resource (vi, 54 pages)
|
| 336 |
|
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|a text
|b txt
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|
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|a computer
|b c
|2 rdamedia
|
| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
1 |
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|a Syngress advanced topics in information security
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| 504 |
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|a Includes bibliographical references.
|
| 505 |
0 |
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|a 1 Introduction; 1.1 Overview; 1.2 Problem Background; 1.3 Problem Statement; 1.4 Purpose of Study; 1.5 Objectives of Study; 1.6 Significance of Study; 1.7 Scope of Study; 1.8 Organization of the Report; 2 Literature Review; 2.1 Introduction; 2.2 Creative Content; 2.2.1 Creative Content Copyright; 2.3 Digital Audio; 2.3.1 Convert a Sound to an Audio File; 2.3.1.1 Effective Parameters on Audio Quality; 2.3.2 Audio Copyright; 2.4 Watermarking; 2.4.1 Audio Watermarking.
|
| 505 |
8 |
|
|a 2.4.1.1 Fundamental Properties of Audio Watermarking2.4.1.2 Types of Watermark; 2.4.1.3 Watermarking Techniques; 2.4.2 Audio Watermarking issues; 2.4.2.1 Conversion Issue; 2.4.2.2 Resampling Issue; 2.4.2.3 Filtering Issue; 2.4.2.4 Delay Issue; 2.4.2.5 Desynchronization Issue; 2.5 Attacks on Audio; 2.6 Evaluation Method; 2.7 Project Criteria; 3 Methodology; 3.1 Introduction; 3.2 Research Framework; 3.2.1 Research Framework Phase One; 3.2.2 Research Framework Phase Two; 3.2.3 Research Framework Phase Three; 3.3 Research Tools Used; 3.4 Summary; 4 Attack Analysis; 4.1 Introduction.
|
| 505 |
8 |
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|a 4.2 Attack Analysis Watermarking Algorithms4.2.1 Results on the Analysis of Audio Watermarking; 4.2.2 Tag Generation; 4.2.3 Encoding Phase; 4.2.4 Decoding Phase; 4.3 Attacks; 4.3.1 MP3 Attack; 4.3.2 Resampling; 4.3.2.1 Down Sampling; 4.3.2.2 Upsampling; 4.3.3 Low-pass filtering; 4.3.4 High-Pass Filtering; 4.3.5 Echo; 4.4 Final Result; 4.5 Summary; 5 Evaluation Analysis; 5.1 Introduction; 5.2 Correlation Between Power and Size Ratio in Audio Watermarking; 5.2.1 Previous Work; 5.3 Correlation Between PSNR and Sampling Rate in Audio Watermarking; 5.4 Summary; 6 Conclusion; 6.1 Introduction.
|
| 505 |
8 |
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|a 6.2 Final Achievements6.3 Contribution of Study; 6.4 Future work; References; Back Cover.
|
| 588 |
0 |
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|a Print version record.
|
| 590 |
|
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|a O'Reilly
|b O'Reilly Online Learning: Academic/Public Library Edition
|
| 650 |
|
0 |
|a Digital watermarking.
|
| 650 |
|
0 |
|a Sound
|x Recording and reproducing
|x Digital techniques.
|
| 650 |
|
0 |
|a Data encryption (Computer science)
|
| 650 |
|
6 |
|a Tatouage numérique.
|
| 650 |
|
6 |
|a Chiffrement (Informatique)
|
| 650 |
|
7 |
|a digital watermarking.
|2 aat
|
| 650 |
|
7 |
|a COMPUTERS
|x Digital Media
|x Audio.
|2 bisacsh
|
| 650 |
|
7 |
|a Data encryption (Computer science)
|2 fast
|
| 650 |
|
7 |
|a Digital watermarking
|2 fast
|
| 650 |
|
7 |
|a Sound
|x Recording and reproducing
|x Digital techniques
|2 fast
|
| 700 |
1 |
|
|a Amiri, Iraj Sadegh,
|d 1977-
|e author.
|
| 776 |
0 |
8 |
|i Print version:
|a Ghorbani, Sogand.
|t Audio content security.
|d Cambridge, MA : Syngress is an imprint of Elsevier, [2016]
|z 0128113839
|w (OCoLC)961004613
|
| 830 |
|
0 |
|a Syngress advanced topics in information security.
|
| 856 |
4 |
0 |
|u https://learning.oreilly.com/library/view/~/9780128113844/?ar
|z Texto completo (Requiere registro previo con correo institucional)
|
| 938 |
|
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