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040 |a P@U  |b eng  |c P@U  |d OCLCO  |d VT2  |d OCLCF  |d JSTOR  |d OCLCE  |d MHW  |d AU@  |d DEGRU  |d OCLCO  |d OCLCQ  |d OCLCO 
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020 |a 9780822388425 
020 |a 0822388421 
020 |z 0822338289 (cloth : alk. paper) 
020 |z 9780822338284 (cloth : alk. paper) 
020 |z 0822338424 (pbk. : alk. paper) 
020 |z 9780822338420 (pbk. : alk. paper) 
024 7 |a 10.1515/9780822388425  |2 doi 
029 1 |a AU@  |b 000067499977 
035 |a (OCoLC)1143274860  |z (OCoLC)651837315  |z (OCoLC)841914318  |z (OCoLC)989013955  |z (OCoLC)1224278087 
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050 0 0 |a HQ1525.7  |b .N57 2006 
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072 7 |a HIS  |x 017000  |2 bisacsh 
082 0 4 |a 305.48/891411072983  |2 22 
049 |a UAMI 
100 1 |a Niranjana, Tejaswini,  |d 1958- 
245 1 0 |a Mobilizing India  |h [electronic resource] :  |b Women, Music, and Migration between India and Trinidad /  |c Tejaswini Niranjana. 
260 |a Durham :  |b Duke University Press,  |c c2006.  |e (Baltimore, Md. :  |f Project MUSE,  |g 2015) 
300 |a 1 online resource (x , 271 p. :)  |b ill. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file  |b PDF  |2 rda 
504 |a Includes bibliographical references, ( p. [253]-265 ) and index. 
588 |a Description based on print version record. 
520 8 |a Annotation  |b <div>Descendants of indentured laborers brought from India to the Caribbean between 1845 and 1917 comprise more than forty percent of Trinidads population today. While many Indo-Trinidadians identify themselves as Indian, what Indian signifiesabout nationalism, gender, culture, caste, race, and religionin the Caribbean is different from what it means on the subcontinent. Yet the ways that Indianness is conceived of and performed in India and in Trinidad have historically been, and remain, intimately related. Offering an innovative analysis of how ideas of Indian identity negotiated within the Indian diaspora in Trinidad affect cultural identities back home, Tejaswini Niranjana models a necessary project: comparative research across the global South, scholarship that decenters the first world West as the referent against which postcolonial subjects understand themselves and are understood by others.<p>Niranjana draws on nineteenth-century travel narratives, anthropological and historical studies of Trinidad, Hindi film music, and the lyrics, performance, and reception of chutney-soca and calypso songs to argue that perceptions of Indian female sexuality in Trinidad have long been central to the formation and disruption of dominant narratives of nationhood, modernity, and normative sexuality in India. She illuminates debates in India about the woman question as they played out in the early-twentieth-century campaign against indentured servitude in the tropics. In so doing, she reveals Indias disavowal of the indentured womanviewed as morally depraved by her forced labor in Trinidadas central to its own anticolonial struggle. Turning to the present, Niranjana looks to Trinidads most dynamic site of cultural negotiation: popular music. She describes how contested ideas of Indian femininity are staged by contemporary Trinidadian musiciansmale and female, of both Indian and African descentin genres ranging from new hybrids like chutney-soca to the older but still vibrant music of Afro-Caribbean calypso.</p></div> 
505 0 0 |g 1.  |t "The Indian in me" : studying the subaltern diaspora --  |g 2.  |t "Left to the imagination" : Indian nationalism and female sexuality --  |g 3.  |t "Take a little chutney, add a touch of Kaiso" : the body in the voice --  |g 4.  |t Jumping out of time : the "Indian" in Calypso --  |g 5.  |t "Suku Suku what shall I do?" : Hindi cinema and the politics of music --  |t Afterword : a semi-lime. 
506 |3 Use copy  |f Restrictions unspecified  |2 star  |5 MiAaHDL 
533 |a Electronic reproduction.  |b [Place of publication not identified] :  |c HathiTrust Digital Library,  |d 2017.  |5 MiAaHDL 
538 |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.  |u http://purl.oclc.org/DLF/benchrepro0212  |5 MiAaHDL 
546 |a In English. 
583 1 |a digitized  |c 2017  |h HathiTrust Digital Library  |l committed to preserve  |2 pda  |5 MiAaHDL 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a East Indians  |z Trinidad and Tobago  |z Trinidad  |x Ethnic identity. 
650 0 |a Gender identity  |z Trinidad and Tobago  |z Trinidad. 
650 0 |a Women singers  |z Trinidad and Tobago  |z Trinidad  |x Social conditions. 
650 0 |a Women  |z Trinidad and Tobago  |z Trinidad  |x Social conditions. 
650 6 |a Indiens (Habitants de l'Inde)  |z Trinité-et-Tobago  |z Trinité (Île)  |x Conditions sociales. 
650 6 |a Chanteuses  |z Trinité-et-Tobago  |z Trinité (Île)  |x Conditions sociales. 
650 6 |a Identité de genre  |z Trinité-et-Tobago  |z Trinité (Île) 
650 6 |a Indiens (Habitants de l'Inde)  |x Identité ethnique  |z Trinité-et-Tobago  |z Trinité (Île) 
650 6 |a Femmes  |z Trinité-et-Tobago  |z Trinité (Île)  |x Conditions sociales. 
650 7 |a SOCIAL SCIENCE / Anthropology / Cultural  |2 bisacsh 
650 7 |a East Indians  |x Ethnic identity  |2 fast 
650 7 |a Gender identity  |2 fast 
650 7 |a Women  |x Social conditions  |2 fast 
651 7 |a Trinidad and Tobago  |z Trinidad  |2 fast 
710 2 |a Project Muse. 
776 0 8 |i Print version:  |a Niranjana, Tejaswini, 1958-  |t Mobilizing India.  |d Durham : Duke University Press, ©2006  |w (DLC) 2006007730  |w (OCoLC)64585850 
830 0 |a Book collections on Project MUSE. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv125jp49  |z Texto completo 
938 |a Project MUSE  |b MUSE  |n muse80334 
938 |a De Gruyter  |b DEGR  |n 9780822388425 
994 |a 92  |b IZTAP