Cargando…
The Hollywood Jim Crow : the racial politics of the movie industry /
The #OscarsSoWhite campaign, and the content of the leaked Sony emails which revealed, among many other things, that a powerful Hollywood insider didn't believe that Denzel Washington could 'open' a western genre film, provide glaring evidence that the opportunities for people of colo...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
New York University Press,
[2019]
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | JSTOR_on1080201453 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 181224t20192019nyu ob 001 0 eng d | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d YDXIT |d EBLCP |d OCL |d STBDS |d OCLCQ |d TEFOD |d OCLCQ |d DEGRU |d JSTOR |d UX1 |d P@U |d KMS |d ORE |d OCLCO |d GPM |d UKAHL |d SFB |d OCLCO |d GZM |d OCLCQ | ||
| 019 | |a 1080433184 |a 1134393299 |a 1175629880 |a 1298409120 | ||
| 020 | |a 9781479816644 |q (electronic bk.) | ||
| 020 | |a 1479816647 |q (electronic bk.) | ||
| 020 | |z 9781479886647 | ||
| 020 | |z 1479886645 | ||
| 020 | |z 9781479847877 | ||
| 020 | |z 1479847879 | ||
| 024 | 8 | |a 40028872038 | |
| 029 | 1 | |a AU@ |b 000065533933 | |
| 035 | |a (OCoLC)1080201453 |z (OCoLC)1080433184 |z (OCoLC)1134393299 |z (OCoLC)1175629880 |z (OCoLC)1298409120 | ||
| 037 | |a C620ED22-BFB0-48A6-B5BF-B751DF3A9D3E |b OverDrive, Inc. |n http://www.overdrive.com | ||
| 037 | |a 22573/ctv12n0dnt |b JSTOR | ||
| 043 | |a n-us--- | ||
| 050 | 4 | |a PN1995.9.B585 |b E75 2019eb | |
| 082 | 0 | 4 | |a 791.43/652996073 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Erigha, Maryann, |e author. | |
| 245 | 1 | 4 | |a The Hollywood Jim Crow : |b the racial politics of the movie industry / |c Maryann Erigha. |
| 264 | 1 | |a New York : |b New York University Press, |c [2019] | |
| 300 | |a 1 online resource (vii, 225 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |t Introduction -- |t Hollywood's racial logic -- |t Labeling black unbankable -- |t Directing on the margins -- |t Making genre ghettos -- |t Manufacturing racial stigma -- |t Remaking cinema -- |t Conclusion. |
| 520 | 8 | |a The #OscarsSoWhite campaign, and the content of the leaked Sony emails which revealed, among many other things, that a powerful Hollywood insider didn't believe that Denzel Washington could 'open' a western genre film, provide glaring evidence that the opportunities for people of color in Hollywood are limited. In this work, the author tells the story of inequality, looking at the practices and biases that limit the production and circulation of movies directed by racial minorities. This book examines over 1,300 contemporary films, specifically focusing on directors, to show the key elements at work in maintaining 'the Hollywood Jim Crow'. | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on February 20, 2019). | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a African American motion picture producers and directors. | |
| 650 | 0 | |a African Americans in the motion picture industry. | |
| 650 | 0 | |a Motion pictures |x Social aspects |z United States |x History. | |
| 650 | 6 | |a Producteurs et réalisateurs de cinéma noirs américains. | |
| 650 | 6 | |a Noirs américains dans l'industrie cinématographique. | |
| 650 | 6 | |a Cinéma |x Aspect social |z États-Unis |x Histoire. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |x Social aspects. |2 fast |0 (OCoLC)fst01027384 | |
| 650 | 7 | |a African American motion picture producers and directors. |2 fast |0 (OCoLC)fst00799269 | |
| 650 | 7 | |a African Americans in the motion picture industry. |2 fast |0 (OCoLC)fst00799738 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Erigha, Maryann. |t Hollywood Jim Crow. |d New York : New York University Press, 2018 |z 9781479886647 |w (DLC) 2018020940 |w (OCoLC)1038039591 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv12pnngj |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH38343476 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH36578238 | ||
| 938 | |a Project MUSE |b MUSE |n muse83451 | ||
| 938 | |a De Gruyter |b DEGR |n 9781479816644 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL5345739 | ||
| 938 | |a EBSCOhost |b EBSC |n 1789428 | ||
| 938 | |a Oxford University Press USA |b OUPR |n EDZ0002091296 | ||
| 994 | |a 92 |b IZTAP | ||